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Updated: June 17, 2025


At the age of eleven she appeared in public, singing the soprano part of Pergolesi's Stabat Mater, and playing her own accompaniment on the organ. This interested the Empress Maria Theresa, who procured the best of teachers for her. She made such rapid progress in piano that at her first concert she was able to arouse the utmost enthusiasm by her expressive and sympathetic performance.

Except the tomb of the young musician Pergolese, who composed the original Stabat Mater there is little else to see, and we gladly ascend the tower in order to gain a bird’s eye view of the town from a point of vantage whither noisy coachmen, troublesome beggars and impudent ragamuffins cannot pursue.

Feeling more sure of himself, Palestrina continued to compose masses, until he had created ninety-three in all. He also wrote many motets on the Song of Solomon, his Stabat Mater, which was edited two hundred and fifty years later by Richard Wagner, and his lamentations, which were composed at the request of Sixtus V. Palestrina's end came February 2, 1594.

Nine tenths of the catacombs now known are cut through one of the volcanic rocks which abound in the neighborhood of Rome. Of the three chief varieties of volcanic rock that exist there, this is the only one which is of little use for purposes of art or trade. It could not have been quarried for profit. "Hoc miserae plebi stabat commune sepulcrum."

They include an opera, a requiem, a Stabat Mater, an orchestral Magnificat, the cantata "St. Cecile," another choral cantata, a number of concertos for piano, several overtures, and various compositions for voice, harp, and piano. It is only natural to find opera the most popular form for ambitious Italian composers to use in striving for public favour.

The Christmas night would not have been half so joyful lacking his Adeste Fideles; the Stabat Mater sung by him in Holy Week made her tears of religious sorrow burst forth afresh; and when on Easter morning he sang the Gloria it had seemed to her that the heavens were opening. For all that, however, he had been to her not a person, but a voice.

They were seldom purely sad things that she played: sometimes the melody murmured its cantabile like a summer brook into which moonbeams bent, flowing along the lowland, breaking only in sprays of tune, and seeming to paint in its bosom the sleeping shadows of the fair field-flowers; and if ever the gentle strain lost its way, and found itself wandering among the massive chords, the profound melancholy, the blind groping of any Fifth Symphony or piercing Stabat Mater, she answered it, singing Elijah's hymn of rest; and as she sang, there grew in her voice a strength, a sweetness, that satisfied the very soul.

This was the last of Meyerbeer's operas written in the Italian style. In 1827 the composer married, and for several years lived a quiet, secluded life. The loss of his first two children so saddened him as to concentrate his attention for a while on church music. During this period he composed only a "Stabat," a "Miserere," a "Te Deum," and eight of Klopstock's songs.

Stabat Mater Dolorosa. It was the Duchess of X.'s Hospital at a certain plage on the coast. I had motored thither through undulating country dotted with round beehive ricks and past meadows on which a flock of gulls, looking in the distance like a bed of white crocuses, were settled in platoons.

But it is perhaps better for avoiding the Charybdis of literalness. Those who accuse Rossini's "Stabat Mater" of a fervor more theatric than religious, will find the same faults in Parker's work, along with much that is purely ecclesiastical. Though his sorrow is apt to become petulance, there is much that is as big in spirit as in handling. The work is frequently Mendelssohnian in treatment.

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