United States or Saint Vincent and the Grenadines ? Vote for the TOP Country of the Week !
And he who desires to understand Shakespeare truly must understand the relations in which Shakespeare stood to the Renaissance and the Reformation, to the age of Elizabeth and the age of James; he must be familiar with the history of the struggle for supremacy between the old classical forms and the new spirit of romance, between the school of Sidney, and Daniel, and Johnson, and the school of Marlowe and Marlowe's greater son; he must know the materials that were at Shakespeare's disposal, and the method in which he used them, and the conditions of theatric presentation in the sixteenth and seventeenth century, their limitations and their opportunities for freedom, and the literary criticism of Shakespeare's day, its aims and modes and canons; he must study the English language in its progress, and blank or rhymed verse in its various developments; he must study the Greek drama, and the connection between the art of the creator of the Agamemnon and the art of the creator of Macbeth; in a word, he must be able to bind Elizabethan London to the Athens of Pericles, and to learn Shakespeare's true position in the history of European drama and the drama of the world.
There is Prior's portrait and the Column and Verelst's flower on which he wrote; and the authoress Duchess of Newcastle in a theatric habit, which she generally wore, and, consequently, looking as mad as the present Duchess; and dukes of the same name, looking as foolish as the present Duke; and Lady Mary Wortley, drawn as an authoress, with rather better pretensions; and cabinets and glasses wainscoted with the Greendale Oak, which was so large that an old steward wisely cut a way through it to make a triumphal passage for his lord and lady on their wedding!
They remind us of the theatric army, composed always of the same old guard of supernumeraries and candle-snuffers, and which, by marching round and round the paper forest in the background, would make six men pass muster very well for sixty, did not the fatally regular recurrence of the hero whose cotton armor bunches at the knees, and the other whose legs insist on the un-Grecian eccentricity of being straight in profile and crooked in a front view, bring us back to calmer estimates.
But Aristotle, like Goethe, deals with art primarily in its concrete manifestations, taking Tragedy, for instance, and investigating the material it uses, which is language, its subject- matter, which is life, the method by which it works, which is action, the conditions under which it reveals itself, which are those of theatric presentation, its logical structure, which is plot, and its final aesthetic appeal, which is to the sense of beauty realised through the passions of pity and awe.
Frank turned white at the words, but the Irishman had disappeared in an elevator, and any immediate action seemed impossible and theatric.
And who does not feel that the chief glory of Piranesi's book on Vases is that it gave Keats the suggestion for his 'Ode on a Grecian Urn'? Art, and art only, can make archaeology beautiful; and the theatric art can use it most directly and most vividly, for it can combine in one exquisite presentation the illusion of actual life with the wonder of the unreal world.
He wouldn't put it past this livid, silent, shaking man and yet the thing appeared so impossible, so theatric, so utterly unrelated to any of the ways that he, Jack Ryder, might be expected to end his days, that it couldn't possibly send more than a shiver of speculation down his spine. And yet men had been thrown into rivers this very river. And men had disappeared from just such palaces as this.
In expressing this, he has added to the permanent recorded knowledge of humanity; and he has thereby lifted his plays above the level of theatric journalism to the level of true dramatic literature. At Coney Island and Atlantic City and many other seaside resorts whither the multitude drifts to drink oblivion of a day, an artist may be watched at work modeling images in the sand.
Pleasant neighbors. An evening scene. Theatric entertainments. Taste and culture. Accomplishments of Hortense. Society at Arenemberg. Amiability of Hortense. The city home of Hortense and her son. Testimony of an English lady. The Duchess of St. Leu. Pursuits of Prince Louis. Madame Récamier meets Hortense. Interview with Madame Récamier. Arrangements for meeting.
The rim of the moon was just visible above the mountain on which Easter-what a pretty name that was !-had flashed upon his vision with such theatric effect. As its brilliant light came slowly down the dark mountain-side, the mists seemed to loosen their white arms, and to creep away like ghosts mistaking the light for dawn.
Word Of The Day