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I would do anything to turn the child of my friend from his evil ways, but forget my own. Thou art used to deal with the patricians, Jacopo; would there be possibility for one, clad in this dress, and with a face blackened by the sun, to come to speak with the Doge?" "There is no lack of seeming justice in Venice, Antonio; the want is in the substance. I doubt not thou would'st be heard."

The other and this spurred him more strongly was the sight of Agnolo, who was called Bronzino, being much brought forward by Jacopo on account of his loving submissiveness and goodness and the untiring diligence that he showed in imitating his master's works, not to mention that he drew very well and acquitted himself in colouring in such a manner, that he aroused hopes that he was destined to attain to that excellence and perfection which have been seen in him, and still are seen, in our own day.

"Wilt thou consult thine own safety, Jacopo, and reveal all thou knowest of this affair of the Neapolitan?" continued the inquisitor, when this by-play was ended. Jacopo betrayed no weakness at the menace implied by the words of the senator; but, after a moment's reflection, he answered writh as much frankness as he could have used at the confessional.

There is nothing here by Jacopo Bellini, nothing by his son Gentile; nor any work from the hands of Antonio or Bartolommeo Vivarini, or Antonello da Messina, who apparently introduced oil painting into Venice.

"I ask thee if thou knowest the countenance of one named Frontoni?" "His countenance, Signore!" "By what else would'st thou distinguish a man?" "A man, Signor' Don Camillo!" "Art thou mocking thy master, Gino? I have asked thee if thou art acquainted with the person of a certain Jacopo Frontoni, a dweller here in Venice?" "Eccellenza, yes."

After this, desiring to revisit his own country, Jacopo returned to Siena, where, on his arrival, there came to him, according to his desire, an occasion to leave therein some honourable memorial of himself.

It is true, works of art are not many there; but the statue of Grand Duke Ferdinand, with four Moors in bronze chained to his feet, a work of Piero Jacopo Tacca, made in 1617-1625, is something; though I confess those chained robbers at the feet of a petty tyrant who was as great a robber, he and his forebears, as any among them, are in this age of sentimental liberalism, from which who can escape, a little disconcerting.

'What he told in the book, says Jacopo, 'was not as much as he had really seen, because of the tongues of detractors, who being ready to impose their own lies on others, are over hasty to set down as lies what they in their perversity disbelieve or do not understand.

There is even in Dalou's fantasticality of this sort a measure and distinction which temper animation into resemblance to such delicate blitheness as is illustrated by the Bargello "Bacchus" of Jacopo Sansovino. Sansovino afterward, by the way, amid the artificiality of Venice, whither he went, wholly lost his individual force, as M. Dalou, owing to his love of nature, is less likely to do.

"It would be a curiosity to see money do good for once," said Venier, languidly looking towards the players. "Contarini is losing again," he remarked. "Does he generally lose much at play?" Zorzi asked, trying to seem indifferent. Venier laughed softly. "It is proverbial, 'to lose like Jacopo Contarini'!" he answered. "Tell me, I beg of you, are all the meetings of the brotherhood like this one?"