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The same day he begged Tatyana Borissovna's permission for an interview with her alone. They shut themselves up together. In half-an-hour they called Andryusha Andryusha went in. Mr. Benevolensky was standing at the window with a slight flush on his face and a beaming expression. Tatyana Borissovna was sitting in a corner wiping her eyes.

She did not, though, feel any very warm affection for him; Andryusha's fawning ways were not quite to her taste. Meanwhile, Andryusha was growing up; Tatyana Borissovna began to be anxious about his future. An unexpected incident solved the difficulty to her. One day eight years ago she received a visit from a certain Mr. Benevolensky, Piotr Mihalitch, a college councillor with a decoration. Mr.

Dawn was already beginning, and that was especially perceptible from the distinctness with which the coils of smoke and the tops of the trees began to stand out in the air. "It's time we were asleep, though," said Tanya, "and it's cold, too." She took his arm. "Thank you for coming, Andryusha. We have only uninteresting acquaintances, and not many of them.

Tanya put her arm round her husband and held him tight, as though protecting him from the apparition, and put her hand over his eyes. "You are ill!" she sobbed, trembling all over. "Forgive me, my precious, my dear one, but I have noticed for a long time that your mind is clouded in some way. . . . You are mentally ill, Andryusha . . . ." Her trembling infected him, too.

"Andryusha, whom are you talking to?" she asked, clutching the hand he stretched out to the monk. "Andryusha! Whom?" "Oh! Whom?" said Kovrin in confusion. "Why, to him. . . . He is sitting here," he said, pointing to the black monk. "There is no one here . . . no one! Andryusha, you are ill!"

"I think they are splendid articles," said Tanya, with deep conviction. "You read them, Andryusha, and persuade father to write oftener. He could write a complete manual of horticulture." Yegor Semyonitch gave a forced laugh, blushed, and began uttering the phrases usually made use of by an embarrassed author. At last he began to give way.

When a visitor came in, Andryusha would get up, with a decorous smile and a flush; when the visitor went away he would sit down again, pull out of his pocket a brush and a looking-glass, and brush his hair. From his earliest years he had shown a taste for drawing.

I can't get him a teacher here. To have one from the town is a great expense; our neighbours, the Artamonovs, have a drawing-master, and they say an excellent one, but his mistress forbids his giving lessons to outsiders. 'Hm, pronounced Mr. Benevolensky; he pondered and looked askance at Andryusha. 'Well, we will talk it over, he added suddenly, rubbing his hands.

'Come, Andryusha, she said at last, 'you must thank Piotr Mihalitch; he will take you under his protection; he will take you to Petersburg. Andryusha almost fainted on the spot. 'Tell me candidly, began Mr. Benevolensky, in a voice filled with dignity and patronising indulgence; 'do you want to be an artist, young man?

"You talk to yourself, smile somehow strangely . . . and can't sleep. Oh, my God, my God, save us!" she said in terror. "But don't be frightened, Andryusha; for God's sake don't be frightened. . . ." She began dressing, too. Only now, looking at her, Kovrin realised the danger of his position realised the meaning of the black monk and his conversations with him.