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Updated: June 29, 2025
All I had ever desired, dreamed, hoped, prayed, looked at me from the remote beauty of the eyes and with the most persuasive gentleness entreated me, rather than commanded to follow fearlessly and win. But these are words, and words shaped in the rough mould of thought cannot convey the deep desire that would have hurled me to his feet if Vanna had not held me with a firm restraining hand.
Our tents were pitched under a glorious walnut tree with a running stream at our feet. Vanna of course, was the interpreter, and I called her from her tent as the man stood salaaming before me. It was strange that when she came, dressed in white, he stopped in his salutation, and gazed at her in what, I thought, was silent wonder.
But now and again he would look delicately up, and so sure as he did the brown eyes and the grey seemed to swim towards each other, to melt in a point, swirl in an eddy of the feelings, in which Vanna found herself drowning and found such death sweet. La Testolina still ran on, but now in a monologue. Fra Battista looked and longed, and Vanna looked again and thrilled.
The evasion of his authority by means of nominally private performances has brought into brief life on the boards very few pieces in my time in which one can really see evidence of the youthful desire to shock the Philistine. In Ghosts, Les Trois Filles de M. Dupont, and Monna Vanna, though all three were prohibited by the authority, there is no sign of the particular element in question.
It is the sacrifice of Monna Vanna without any reward or spectacular acclaim. Deeply spiritual, intensely religious, she is the illumination of the book, and seems to have stepped out of the pages of the New Testament. Her whole story is like a Gospel parable, and she has saved many besides Raskolnikov. . . . She dies daily, and from her sacrifice rises a life of eternal beauty.
All the little woman could do was to squat upon the threshold at her friend's feet and pretend that she was troubled with spasms. The crowning proof remains to be told. Vanna, by way of weaning her baby, it seems, was tempting him with gobbets of peach from a wine-glass. She bit a corner from the peach and tendered it in her lips to the youngster on her lap.
The men, in various attitudes of rest, were lying about, and one had been telling a story which had just ended in excitement and loud applause. "These are Mahomedans," said Vanna, "and it is only a story of love and fighting like the Arabian Nights. If they had been Hindus, it might well have been of Krishna or of Rama and Sita. Their faith comes from an earlier time and they still see visions.
The curate was fat and lazy, very much interested in himself; his stipend barely paid his shot at the "Fiore del Marinajo," under whose green bush he was mostly to be seen. Vanna had to roll up her sleeves, bend her straight young back, and knee the board by the Ponte Navi.
Once, in the twilight under the chenar trees, I saw a white gleaming and thought it a swiftly passing Being, but when in haste I gained the tree I found there only a Ninefold flower, white as a spirit in the evening calm. I would not gather it but told Vanna what I had seen. "You nearly saw;" she said. "She passed so quickly. It was the Snowy One, Uma, Parvati, the Daughter of the Himalaya.
When the green sky of evening deepened to blue, and blue grew violet, these shadowing wings were always in advance, more densely dark. There it was that Vanna worked incessantly, sewing seam after seam, patching, braiding, and fitting the pieces.
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