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Updated: May 31, 2025
This was Hödur, Baldur's blind twin-brother; he stood with his head bent downwards, silent while the others were speaking, doing nothing when they were most eager; and Loki thought that there was a discontented expression on his face, just as if he were saying to himself, "Nobody takes any notice of me." So Loki went up to him and put his hand upon his shoulder.
You have doubtless heard your father speak of your twin-brother Alfred, who was lost or kidnapped which, was never ascertained when you were both babies. When no news was received of him for so many years, it was supposed that he was dead.
This was not the man who had engaged him in Paris; this person might have been a mild twin-brother of the redoubtable Captain of the Avenue Malakoff, of Matadi and Yandjali. When memory came fully back, would it bring with it the old Berselius, or would the new Berselius, mild, inoffensive, and kindly, suddenly find himself burdened with the tremendous past of the man he once had been?
"I will frankly tell you all that I know," said Remus, "since you treat me in so fair and honorable a manner. The king delivered me up to be punished, without listening to what I had to say, but you seem willing to hear before you condemn. My name is Remus, and I have a twin-brother named Romulus.
The Doctor put his hand to his pocket, and, to his own huge surprise and my great gratification, pulled out two match-boxes exactly alike, both printed with the Macpherson plaid. One was his, the other mine, which he had seen lying round, and naturally took for his own, thrusting it into his pocket, where it found its twin-brother from the same workshop.
And still more glad would he have been had he known that the near future was to verify his mother's belief; to restore to him the twin-brother now mourned as dead.
In looking over, not very long since, a long neglected, thin portfolio of my twin-brother, the late Willis Gaylord Clark of Philadelphia, I came across a sealed parcel endorsed "London Correspondence." It contained letters to him from many literary persons of more or less eminence at that time in the British metropolis; among others, two from Miss Landon ("L.E.L."); two from Mrs. S. C. Hall, the versatile and clever author of Tales and Sketches of the Irish Peasantry, cordial, closely written and recrossed to the remotest margin; one from her husband, Mr. S.C. Hall; three or four from Mr. Chorley; and lastly, five or six elaborate letters from Mr. E. Lytton Bulwer, sent through his American publishers, the Brothers Harper, by Washington Irving, then secretary of legation to the American embassy "near the court of St. James." Enclosed with these last-mentioned letters was a communication from Miss Fanny Kemble, to whom they had been sent for perusal, and who, in returning them, did not hesitate to say that she did Not share his young American correspondent's admiration for the author of Pelham. She had met him frequently in London society, and regarded his manners as affected and himself as a reflex of his own conceited model of a gentleman a style which Thackeray perhaps did not too grossly caricature when he made Chawls Yellowplush announce, from his own lips, his sounding name and title to a distinguished London drawing-room as "Sa-wa-Edou-wah'd-
A silent, withdrawn man he was, living close to Mother Earth, twin-brother of Labour, to whom Morning and Daytime were sounding-boards for his axe, scythe, saw, flail, and milking-pail, and Night a round hollow of darkness into which he crept, shutting the doors called Silence behind him, till the impish page of Toil came tapping again, and he stepped awkwardly into the working world once more.
'How I regret never meeting that magnificent snob! that efflorescence of sublime imposture! I've seen the Regent; but one's life doesn't seem complete without having seen his twin-brother. You must give us warning when you have him down at Croftlands again, Mr. George. 'Gad, he'll have to come a long distance poor old Mel! said Mr.
Life is a dream between two slumbers; sleep is death's twin-brother; night is the shadow of death; death is the gate of life: such is the mysterious mythology wrought by the sculptor of the modern world in marble. All these figures, by the intensity of their expression, the vagueness of their symbolism, force us to think and question. What, for example, occupies Lorenzo's brain?
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