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In this way he tries to reconcile and harmonize the contentions of the rationalists with the arguments of the empiricists. Kant's 'thing in itself' is identical in definition with the physical object, namely, it is the cause of sensations.

Of course my moral is this, that while the term "lady" does mean something different from "woman," it is only as a crown of womanhood that it is really significant. Every girl should try to be a lady, however, and every girl who sincerely tries will have some measure of success. I remember when I was a girl, I once said to a high-bred woman, "Do you think, after all, that Mrs.

"I never meant to try to influence you, Charles," she said, "except as anyone tries to help those about one. And certainly you've been the one that has put us all in our present position. That's why it distressed me for you even to talk of undoing your work." Whitney smiled satirically, mysteriously. "I'll do what I think best," was all he replied.

"I want you to go waltz with Miss Brade," says Violet. "She looks so lonely talking to that old Mr. Carpenter." "Nonsense." And he tries to swing her into line. "No; I do not feel as if I had any business with the young men," says Violet, rather promptly, standing her ground with resolution. "See here," exclaims Eugene, suddenly, "if I waltz with her, will you give me another somewhere?

In short, Butler tries, without effect, to evade the general principles of the will our being moved exclusively by pleasure and pain. Abundant reference has been already made to the circumstances that modify in appearance, or in reality, the operation of this principle.

If Inglesby's bunch tries to take a hand in this, I'll try to make Appleboro too hot to hold somebody. Understand?" The marshal was a wise enough man, and he understood. Inglesby's pet foreman had been all but killed, and Inglesby would be furiously angry. But Mr. Flint had done it, and behind Mr. Flint were powers perhaps as potent as Inglesby's.

And so the management of the Roycroft Shop surrounds the workers with beauty, allows many liberties, encourages cheerfulness and tries to promote kind thoughts, simply because it has been found that these things are transmuted into good, and come out again at the finger-tips of the workers in beautiful results.

He pictures to himself with abominable clearness what the men have done. A feeling of strange strength circulates in his members. On his knees in front of the young girl, in the obscurity of the forest, he tries to bring her back to life, calling her sweet names, caressing her hair, rubbing her cold hands.

This part of the story has brought us to the fourth act of the play, and when the curtain rises on this act we see the Court of Justice in Venice. The Duke and all his courtiers are present, the prisoner Antonio, with Bassanio, and many others of his friends. Shylock is called in. The Duke tries to soften the Jew's heart and make him turn to mercy, in vain.

If he tries his performance again, we must meet it with some new scheme." This time it was my imagination that came to the rescue. "What's the matter," I suggested, on the Wednesday following, "with my chasing Demetrios in the boat next Sunday, while you wait for him on the wharf at Vallejo when he arrives?" Charley considered it a moment and slapped his knee. "A good idea!