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Updated: June 16, 2025


The date of the frescoes on the Fondaco de' Tedeschi is known to be 1507-8, but, as nothing remains but a few patches of colour in one spot high up over the Grand Canal, we have no visible clue to guide us in our estimate of their artistic worth. It was never finished, and the altogether exceptional character of the work places it outside the regular course of the artist's development.

From these and from a few rosy fragments on the Fondaco dei Tedeschi, the Fabbriche Nuove, and precious fading figures in a certain courtyard near San Stefano, we form some notion how Venice looked when all her palaces were painted. Pictures by Gentile Bellini, Mansueti, and Carpaccio help the fancy in this work of restoration.

In this comparison the Himalayas represent the Alps, and the Tartars to the north are the Tedeschi of India; Persia is to her as France, Piedmont is represented by Kabul, and Lombardy by the Panjab. A recollection of this analogy may not be without use in familiarizing the narrative which is to follow.

You 're a man of intelligence, and you know why I have to consider the matter. I give you guide's pay up to the glacier, and ten florins buon'mano. Would you rather earn it with the blood of a countryman? I can't let that tongue of yours be on the high-road of running Tedeschi: you know it. 'Illustrious signore, obedience oils necessity, quoth the innkeeper.

Greatly to his astonishment, Lorenzo tossed the back of his hand at the offer of money. "There shall be this difference between me and my wife," he remarked; "and besides, gracious signore, serving my countrymen for nothing, that's for love, and the Tedeschi can't punish me for it, so it's one way of cheating them, the wolves!

Below and beyond the Rialto are grouped on both banks the ancient Fondaco dei Tedeschi, upon the colored walls of which, in uncertain tints, may be devined some frescoes of Titian and Tintoretto, like dreams which come only to vanish; the fish-market, the vegetable market, and the old and new buildings of Scarpagnino and of Sansovino, almost fallen in ruins, in which are installed various courts....

There broke out at Venice, in the year 1504, in the Fondaco de' Tedeschi by the Ponte del Rialto, a most terrible fire, which consumed the whole building and all the merchandise, to the very great loss of the merchants; wherefore the Signoria of Venice ordained that it should be rebuilt anew, and it was speedily finished with more accommodation in the way of living-rooms, and with greater magnificence, adornment, and beauty.

From these and from a few rosy fragments on the Fondaco dei Tedeschi, the Fabbriche Nuove, and precious fading figures in a certain courtyard near San Stefano, we form some notion how Venice looked when all her palaces were painted. Pictures by Gentile Bellini, Mansueti, and Carpaccio help the fancy in this work of restoration.

Much of the work on which Giorgione's immediate fame depended, work done for instantaneous effect, in all probability passed away almost within his own age, like the frescoes on the facade of the fondaco dei Tedeschi at Venice, some crimson traces of which, however, still give a strange additional touch of splendour to the scene of the Rialto.

To me solitude is like the lump of amber in whose heart an insect lives for ever in unchanging beauty. Thus the heart and soul of a woman remains pure and unaltered in the form of their first youth. Is it the Tedeschi that you regret? "28th. "Is your statue never to be finished? I should wish to have you in marble, in painting, in miniature, in every possible form, to beguile my impatience.

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