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Updated: May 11, 2025
Dacia lay between the Carpathian mountains on the north, and the Danube on the south, including Upper Hungary, Transylvania, Wallachia, and Moldavia. Mutuo metu. Rather a poetical boundary! Observe also the alliteration. Montibus. The Carpathian. Cetera. Ceteram Germaniae partem. Sinus. Its association with islands here favors the same interpretation. So Passow, Or., Rit.
For the general rule of the modes after donec, see H. 522; Z. 575. See also notes H. 1, 13. 35. Septimum. According to the common understanding, the Danube had seven mouths. So Strabo, Mela, Ammian, and Ovid; Pliny makes six. T. reconciles the two accounts. The enim inserted after septimum in most editions is not found in the best mss. and is unnecessary. Or. & Rit. omit it.
"You see, Miss Mary," said Aunt Matilda, "Ise kind o' disturbed in me min'. I rit a letter a long time ago, and Ole Miles ain't fetched me no answer yit, and it sorter worries me." "I didn't know you could write," said Mrs. Loudon, somewhat surprised. "Neither I kin," said Aunt Matilda. "I jist got dat Greg'ry Montague to write it fur me, and dear knows what he put in it."
One thinks of those Greek mariners coasting past this promontory, and pouring libations to the Siren into an ocean on whose untrampled floor the countryman now sows his rice and turnips. Paganisme immortel, es-tu mort? On le dit. Mais Pan, tout bas, s'en moque, et la Sirene en rit. They are still here, both sea and Siren; they have only agreed to separate for a while.
The hint is not lost, and the orchestra, in the disguise of the pianoforte, attends to its duty right vigorously. With the poco rit. the soloist sets to work again, and in the next bar takes up the principal subject in A minor. After that we have once more brilliant passage-work, closing this time in A major, and then a final tutti. The Allegro de Concert gives rise to all sorts of surmises.
His interpretation of the passage and its connexion is as follows: our very remoteness and our glorious retreat have guarded us till this day. Rit. encloses the clause in brackets, as a gloss. He renders sinus famae, bosom of fame, fame being personified as a goddess. R., Dr., Or. make famae dative after defendit==has kept back from fame. Sed nulla jam, etc.
Rit. in loc. suggests, that by the use of arcem instead of palatium, T. means to represent Domitian as shutting himself up, like many tyrants, in a fortified castle, and thence sending forth the emissaries of his jealousy and cruelty. Sententia. His voice, his sentiment expressed in council before Dom. Intra Albanam arcem, i.e. privately, not publicly, as afterwards at Rome. Messalini.
But, while they murdered, one of them frowned and canted, the other grinned and joked. For our own part, we prefer Jean qui pleure to Jean qui rit. In the midst of the funeral gloom which overhung Paris, a gaiety stranger and more ghastly than the horrors of the prison and the scaffold distinguished the dwelling of Barere. Every morning a crowd of suitors assembled to implore his protection.
So called because of the incident noted in the text, for the matted locks of Mahadeva had sucked up the river Ganga when it first fell from heaven. Then Rit means sovereignty or lordship. Riddah is one that gives sovereignty. Combining the two, the compound Kaparddin is formed. Nabhah means space which implies puissance. That Nabhah is the sthala or abode of Mahadeva.
They seem made to be sung, and trip off the tongue with a lilt and grace which are irresistible. This hymn is interesting as shewing how completely Chaitanya is by his followers invested with the attributes of, and identified with, K.rish.na; it has no other special merits; nor anything specially interesting from a philological point of view as it is nearly all Sansk.rit.
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