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To their rooms they ascended Numero Nueve and Numero Diez. Later came Senor Goodwin, who ascended to speak with them. Then I heard a great noise like that of a canon, and they said that the pobre Presidente had shot himself. Esta bueno. I saw nothing of money or of the thing you call veliz that you say he carried it in."

DOÑA MATILDE. ¿Qué sabes ? BRUNO. Porque nunca se despierta antes de las nueve, y porque.... DON EDUARDO. Quizá valga más entonces que yo vuelva un poco más tarde. DOÑA MATILDE. No, no; ¿a qué prolongar nuestra agonía? Anda, Brunito, anda, si es que mi felicidad te interesa.

DON EDUARDO. ¿Quién dice que el dinero no sirve alguna vez de algo? pero no muy a menudo ... y si uno va a considerar todos sus inconvenientes ¿crees que ... no son éstas que dan las nueve? ¡Cáspita y qué tarde!... Con esto y con que haya salido ya mi escribano, nos quedemos también sin comer.... Adiós vida mía, abrázame. DOÑA MATILDE. Anda con Dios.

and another where the truth, as in many Spanish proverbs, is sacrificed to the rhyme, saying that the climate is tres meses invierno y nueve infierno, three months winter and nine months Tophet. At the first coming of the winter frosts the genuine son of Madrid gets out his capa, the national full round cloak, and never leaves it off till late in the hot spring days.

But the house having become a sort of inn, let out for clandestine love affairs at an exorbitant price, the owner, the real Madame Nourrisson, an old-clothes buyer in the Rue Nueve Saint-Marc, had wisely appreciated the great value of these kitchens, and had turned them into a sort of dining-rooms.

When the young couple set out to find a residence, Angelique used the influence that the honeymoon gives to every wife in persuading her husband to take a large apartment in the ground-floor of a house at the corner of the Vieille Rue du Temple and the Rue Nueve Saint-Francois.

De los nombres de Cristo is cast in the Platonic form of dialogue, and, in the section entitled Pastor, Plato is quoted by name. But the Hellenic influence, though present, is not dominant. Already Alonso de Orozco had anticipated Luis de Leon with De los nueve nombres de Cristo, and there are points of contact in the handling as is inevitable from the similarity of the subject.

Number 9 in the Calle Nueve had shot twice at some fleeing natives who nearly upset him as they dashed round the corner from the Bagumbayan, and he had later mistaken Colonel Brent in his white suit for a Filipino and nervously fired.

But the house having become a sort of inn, let out for clandestine love affairs at an exorbitant price, the owner, the real Madame Nourrisson, an old-clothes buyer in the Rue Nueve Saint-Marc, had wisely appreciated the great value of these kitchens, and had turned them into a sort of dining-rooms.