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He did duty as youth and gayety beside the young ladies at their tea-urn, and when he learned that Cornelia was studying at the Synthesis, he professed a vivid interest and a great pleasure. "I want Huntley to paint Miss Maybough," he said. "Don't you think he would do it tremendously well, Miss Saunders?" "Miss Saunders is going to paint me," said Charmian, mystically.

"Do you suppose they would be letting me talk so to you if it weren't? The monitor would have been down on me long ago." Cornelia had noticed a girl who seemed to be in authority, and who sat where she could oversee and overhear all that went on. "Is she one of the students?" she asked. Miss Maybough nodded. "Elected every month. She's awful.

She thinks they spend all their time drawing the nude." Mrs. Maybough looked at Cornelia for the effect of this boldness upon her, and the girl frowned to keep herself from laughing, and then gave way. Mrs. Maybough smiled with a ladylike decorum which redeemed the excess from impropriety. Charmian seemed to know the bounds of her license, and as if Mrs.

A man's idea of a woman, it's interesting, of course, but it's never quite just; it's never quite true; it can't be. Every woman knows that, but you go on accepting men's notions of women, in literature and in art, as if they were essentially, or anything but superficially, like women. I couldn't get a picture of Miss Maybough because I was always making more or less than there really was of her.

General Westley?" "Yes." "We met them in Rome," said Mrs. Maybough. "I shall be very happy, indeed, for my daughter. But you know Miss Saunders is not staying with us?" "Miss Saunders will be very happy for herself," said Charmian. The men took their leave, and Charmian seized the first moment to breathe in Cornelia's ear: "Oh, what luck! I didn't suppose he would do it, when I got Mr.

Cornelia wanted to laugh; at the same time she wondered what new kind of crazy person she had got with; this was hardly one of the art-students that went wild from overwork. Miss Maybough kept on without waiting to be answered: "I haven't got a bit of pride, myself. I could just let you walk over me. How does it feel to be proud? What are you proud for?"

She enforced what she had to say in his behalf with the invitation to her January Thursdays which she had brought. She had brought it in person because she wished to beg Mrs. Maybough to let her daughter come with her friend, Miss Saunders, and pour tea at the first of the Thursdays. "I got you off," she said to Ludlow, when they met, "but it was not easy.

Ludlow did not come to see Cornelia, but they met, from time to time, at Mrs. Westley's, where he was aware of her being rather taken up; at Mrs. Maybough's, where he found it his duty to show himself after his failure with Charmian's picture, so as to help Mrs. Maybough let people know there was nothing but the best feeling about it; and, more to his surprise, at Wetmore's.

She thought that he wanted her to ask him why, and she asked, "What are you waiting for?" "For two reasons. Do you want the real reason first?" he asked, smiling at her. She laughed. "No, the unreal one!" "Well, I doubt whether Mrs. Maybough wrote to me of her own inspiration, entirely. I suspect that Wetmore and Plaisdell have been working the affair, and I don't like that." "Well?"

Ludlow himself praised it; he said he felt at home in it, and he liked it because it was not carried a bit too far. Charmian's mother had left her free to do what she wished, and there was not a convention of Philistine housekeeping in the arrangement of the place. Everything was in the admired disorder of an artist's environment; but Mrs. Maybough insisted upon neatness.