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Updated: June 16, 2025


I myself would have told him: 'Go you, too, Matvey! That's the right cause, that's the honest cause!" He stopped abruptly, and a sullen silence fell on all, in the powerful grip of something huge and new, but something that no longer frightened them. Sizov lifted his hand, shook it, and continued: "It's an old man who is speaking to you. You know me!

"Matvey, my sister Anna Arkadyevna will be here tomorrow," he said, checking for a minute the sleek, plump hand of the barber, cutting a pink path through his long, curly whiskers.

"I am not obliged to work for you! You are employed in the church, you do it!" He obviously enjoys the peculiar position in which he has been placed by the fate that has bestowed on him the rare talent of surprising the whole parish once a year by his art. Poor mild Matvey has to listen to many venomous and contemptuous words from him. Seryozhka sets to work with vexation, with anger. He is lazy.

He slept badly at nights now and woke easily, and he could hear that Matvey, too, was awake, and continually sighing and pining for his tile factory. And while Yakov turned over from one side to another at night he thought of the stolen horse and the drunken man, and what was said in the gospels about the camel. It looked as though his dreaminess were coming over him again.

I tried to defend her, but he snatched up the reins and thrashed her with them, and all the while, like a colt's whinny, he went: 'He he he!" "I'd take the reins and let you feel them," muttered Varvara, moving away; "murdering our sister, the damned brutes!..." "Hold your tongue, you jade!" Dyudya shouted at her. "'He he he!" Matvey Savitch went on.

"Thank God!" said Matvey, showing by this response that he, like his master, realized the significance of this arrival that is, that Anna Arkadyevna, the sister he was so fond of, might bring about a reconciliation between husband and wife. "Alone, or with her husband?" inquired Matvey. Stepan Arkadyevitch could not answer, as the barber was at work on his upper lip, and he raised one finger.

They have no sense of their own! Mark it out with the compasses, that's what's wanted! You can't break the ice without marking it out. Mark it! Take the compass." Matvey takes the compasses from Seryozhka's hands, and, shuffling heavily on the same spot and jerking with his elbows in all directions, he begins awkwardly trying to describe a circle on the ice.

I do not forget the prison, but when I remember all that I lived through that summer and before that, my heart fills with joy, and I feel like crying out: "Rejoice, beloved Russian people! Your resurrection is close at hand!" "Matvey Kozhemyakine" very brilliantly returns to Gorky's early manner. In this book no symbolic character interprets the bold thoughts of the author.

He saw the long familiar figures of the saints, the verger Matvey puffing out his cheeks and blowing out the candles, the darkened candle stands, the threadbare carpet, the sacristan Lopuhov running impulsively from the altar and carrying the holy bread to the churchwarden.... All these things he had seen for years, and seen over and over again like the five fingers of his hand.... There was only one thing, however, that was somewhat strange and unusual.

These three remarkable works, riddled by the Russian censor, so that the complete version has appeared only abroad, have recently been followed by two important stories: "Among the People" and "Matvey Kozhemyakine." With his accustomed power, Gorky shows us, in the first of these stories, the spread of socialism among the agricultural proletariat.

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