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Updated: May 2, 2025
Fortunately there was no such middle age of darkness in Greece: there the light of science and literature remained unextinguished: the knowledge of the works of antiquity was cultivated in the East with enthusiasm; and while we may be confident that we possess the works of all those high and gifted spirits who adorned that bright period which extends from Homer and Hesiod to Plato and Aristotle, and again the works of all those Greeks who flourished from the death of Alexander the Great to the death of Augustus Caesar, the brightest of whom were Menander, Theocritus, Polybius, Strabo, and a gorgeous array of philosophers, sophists and rhetoricians, we can be by no means sure that we have the real works of the Roman classics; there must even be the gravest doubt as to the probability; for, though during the close of the fourteenth century, throughout the fifteenth, and at the commencement of the sixteenth, books purporting to be of their writing were constantly being recovered, it was invariably under distressingly suspicious circumstances; exactly the Roman author that was wanted turned up; and always for a certainty that Roman author for whom the highest price had been offered; the monastery was rarely famous, seldom in Italy, but obscure and situated in a barbarous country; the discoverer, too, was not, as is generally supposed, an ignorant, unlettered monk or friar, who could not read what he found, and who could not, therefore be suspected of having forged what he stated he had discovered; it was invariably a most cultured scholar, nay, a man of the very highest literary attainments, an exquisitely accomplished writer, to boot; a "Grammaticus," forsooth, who possessed a masterly and critical knowledge of the Latin language.
I can quite easily understand the intellectual condition of the Germans at the Carlovingian epoch, the psychological and literary condition of a Saxo Grammaticus and a Hrabanus Maurus. Latin had a very singular effect upon their rugged natures, and they were like mastodons going in for a degree. They took everything as serious as the Laplanders do when you give them the Bible to read.
The stories, which we now find only in remoter authours, were in his time accessible and familliar. The fable of "As You Like It", which is supposed to be copied from Chaucer's Gamelyn, was a little pamphlet of those times; and old Mr. Cibber remembered the tale of Hamlet in plain English prose, which the criticks have now to seek in Saxo Grammaticus.
Sir Robert Ker Porter, in his visit to this sacred spot, collected a few interesting circumstances at the fountain-head, relating to Shakspeare's northern hero, from the very source whence our poet must have drawn the incidents of his tragedy, viz. the "Annals of Denmark," written by Saxo Grammaticus in the twelfth century.
Saxo Grammaticus, in the Withina Saga, places the scene of a very similar story in that country, some three hundred years before the appearance of the Swiss version, and tells of a certain Danish king named Harold, the counterpart of Gessler, and one Toki, who played the same rôle enacted by Tell.
Another instance is found in Valerius Cato, who lost his patrimony when quite a youth by the rapacity of Sulla, and was compelled to teach in order to obtain a living. He speedily became popular, and was considered an excellent trainer of poets. He is called "Cato Grammaticus, Latina Siren, Qui solus legit et facit poetas."
Writing about the end of the twelfth century, the old Danish historian Saxo Grammaticus tells the story of Balder in a form which professes to be historical. According to him, Balder and Hother were rival suitors for the hand of Nanna, daughter of Gewar, King of Norway. Now Balder was a demigod and common steel could not wound his sacred body.
How Balder, the good and beautiful god, was done to death by a stroke of mistletoe, 101 sq.; story of Balder in the older Edda, 102 sq.; story of Balder as told by Saxo Grammaticus, 103; Balder worshipped in Norway, 104; legendary death of Balder resembles the legendary death of Isfendiyar in the epic of Firdusi, 104 sq.; the myth of Balder perhaps acted as a magical ceremony; the two main incidents of the myth, namely the pulling of the mistletoe and the burning of the god, have perhaps their counterpart in popular ritual, 105.
Others, again, were suspected of the intention to impose their own productions on the public as works of antiquity; one man, who never ceased to regret that it had not been his lot to live in the days of Roman splendour, Peter of Calabria, styled himself in his Commentaries on Virgil, Julius Pomponius Sabinus, and in his notes to Columella, Julius Pomponius Fortunatus, his object in both instances being that he should be mistaken for some Roman who had flourished in the purest ages of Latinity; and Foy-Vaillant, the celebrated numismatist of the seventeenth century, actually places him, in one of his numismatical works, in the list of ancient authors, while Justus Lipsius and Pithaeus both took him to have been a "Grammaticus", or "writer in Latin," of the earlier middle ages, all the time that he was an Italian academician, who flourished in the fifteenth century, having been born in 1425 at a place that has been called "The Garden of Almond Trees," Amendolara, in Upper Calabria.
It is interesting to know to what degree a human being will resemble a beast when deprived of the association with man. We seem to get some insight to this question in the investigation of so called cases of "wolf-children." Saxo Grammaticus speaks of a bear that kidnapped a child and kept it a long time in his den.
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