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He lay at the bottom of the ship, hoping that the next wave would dash them on to a rock and send them to the bottom of the lake. The tossing became worse and worse. Upon the deck Gessler was standing beside the helmsman, and gazing anxiously across the waters at the rocks that fringed the narrow entrance to the bay a few hundred yards to the east of Castle Kussnacht.

FURST. If on the appointed day the castles fall, From mountain on to mountain we shall pass The fiery signal: in the capital Of every Canton quickly rouse the Landsturm. Then, when these tyrants see our martial front, Believe me, they will never make so bold As risk the conflict, but will gladly take Safe conduct forth beyond our boundaries. STAUFFACHER. Not so with Gessler. He will make a stand.

Saxo Grammaticus, in the Withina Saga, places the scene of a very similar story in that country, some three hundred years before the appearance of the Swiss version, and tells of a certain Danish king named Harold, the counterpart of Gessler, and one Toki, who played the same rôle enacted by Tell.

TELL. Sir, both the boys are dear to me alike. GESSLER. Then, Tell, since at a hundred yards thou canst Bring down the apple from the tree, thou shalt Approve thy skill before me. Take thy bow Thou hast it there at hand and make thee ready To shoot an apple from the stripling's head!

That tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the Royal Family merely his own German name of Gessler Brothers; and in the window a few pairs of boots.

Then holding his breath he aimed at the living mark. The bowstring twanged. The arrow, like a flash of lightning, split the apple in two halves and imbedded itself in the tree trunk. Tell had triumphed and the deed was accomplished. Turning to Gessler and taking his boy by the hand Tell asked leave to go his way, now that his order had been obeyed.

Gessler, like most wicked people, was in great terror at the prospect of death, when one of his attendants reminded him that the prisoner, William Tell, was no less skilful in the management of a boat than in the exercise of the bow. So he ordered that Tell should be unbound, and placed at the helm.

The soldiers here recognized their position, and pointed it out to Gessler, who demanded of Tell what he meant by taking them back to Altorf. William, without answering him, brought the bow suddenly close upon the rock, seized his bow, and, with an effort which sent the unguided craft back into the lake, sprang on shore, scaled the rocks, and took the direction of Schwytz.

In the last act we find Arnold raising a band of followers and himself accomplishing the rescue of Tell; Gessler is slain, and Matilda is united to her lover. 'Guillaume Tell' is not only indisputably Rossini's finest work, but it also give convincing proof of the plasticity of the composer's genius.

But before the fond parent could fold his darling to his bosom, the tyrant Gessler sternly demanded for what purpose he had reserved the second arrow, which he had seen him select and place in his belt. "That arrow," replied Tell, giving way to a sudden burst of passion, "that arrow was designed to avenge the death of my child, if I had slain him with the other."