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Updated: June 4, 2025
"And I think now," said Galeotto when it was done, "that you are just as reckless in the manner of doing charity. For the future, Agostino, you would do well to appoint an almoner." I bit my lip in vexation; but soon I smiled again. Were such little things to fret me? Did we not ride to Pagliano and to Bianca de' Cavalcanti?
The architects of these cars were Raffaello delle Vivole, Il Carota the wood-carver, the painter Andrea di Cosimo, and Andrea del Sarto; those who arranged and prepared the dresses of the figures were Ser Piero da Vinci, the father of Leonardo, and Bernardino di Giordano, both men of beautiful ingenuity; and to Jacopo da Pontormo alone it fell to paint all the three cars, wherein he executed various scenes in chiaroscuro of the Transformations of the Gods into different forms, which are now in the possession of Pietro Paolo Galeotto, an excellent goldsmith.
"I shall look to hear from you, Ser Galeotto," he said. "And if at first the nobles of the Val di Taro are not to be moved, perhaps after they have had a taste of Messer Pier Luigi's ways they will gather courage out of despair. I think we may be hopeful if patient. Meanwhile, my master the Emperor shall be informed." Another moment and we were out of that florid, crafty, well-nourished presence.
He went out, leaving Galeotto and Falcone alone, and the condottiero flung himself into a chair and sat there moodily, deep in thought, still in his dusty garments and with no thought for changing them. Falcone stood by the window, looking out upon the gardens and not daring to intrude upon his master's mood. Thus Cavalcanti found them a hour later when he returned.
Galeotto returned no answer, but advanced slowly into the room; and now Farnese's eyes went past him and fastened upon me, and I saw them suddenly dilate; beyond me they went and met the cold glance of Confalonieri, that other gentleman he had so grievously wronged and whom he had stripped of the last rag of his possessions and his rights.
"Explicitly," was the ready answer, "upon my most sacred honour. Send me word that you are in arms, that the first blow has been struck, and I shall be with you with all the force that I can raise in the Emperor's name." "Your excellency has warrant for this?" demanded Galeotto. "Should I promise it else? About it, sir. You may work with confidence."
"What has Ser Galeotto to do with this?" he demanded harshly. "That, sir, no doubt he will tell us, if you will have patience," Gonzaga answered, so sweetly and deferentially that of a certainty some of Cosimo's uneasiness must have been dissipated. I leaned forward now, scarce daring to draw breath lest I should lose a word of what was to follow.
In the fifth canto of the Inferno, Francesca da Rimini narrates to Dante how she and Paolo read one day, all unsuspecting, the romance of Launcelot; and after she tells how her lover, allured by the suggestion of the story, kissed her on the mouth all trembling, she adds, Galeotto fu'l libro e chi lo scrisse,
I reached Rome on the fourth day after my setting out with my grim escort, and on that same day, at much the same hour as that in which the door of my dungeon in Sant' Angelo closed upon me, Galeotto rode into the courtyard of Pagliano on his return from his treasonable journey.
And then his mind became clouded again by the mists of approaching dissolution, and he sank into a sleep, from which he never awakened. We buried him on the morrow in the Chapel of Pagliano, and on the next day Galeotto drew up a memorial wherein he set forth all the circumstances of the affair in which that gallant gentleman had met his end. It was a terrible indictment of Pier Luigi Farnese.
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