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Giordano also had several scholars, who imitated his own style with great precision. Perhaps no artist ever enjoyed a greater share of contemporary fame than Luca Giordano.

In the refectory of S. Salvatore del Lauro at Monte Giordano, on the principal wall, he painted in fresco, with a great number of figures, the Marriage of Cana in Galilee, at which Jesus Christ turned water into wine; and at the sides some Saints, with Pope Eugenius IV, who belonged to that Order, and other founders.

If Sir Joshua had an offer to exchange a Luca Giordano in his collection for a Claude Lorraine, he would not have hesitated long about the preference. Written in 1788. Gainsborough. Sir Joshua himself wanted academic skill and patience In the details of his profession.

He is not a slave, but a God in the making, and the growth cannot be forced, but must be willed from within. Only when the will consents, as Giordano Bruno teaches, will God influence man, though He be "everywhere present, and ready to come to the aid of whosoever turns to Him through the act of the intelligence, and who unreservedly presents himself with the affection of the will."

I met him one day near Monte Giordano, and he told me that he was come to beg something from the Pope, I forget what: he had run the risk of losing life and limb for his devotion to the house of Medici, and now it seemed they did not recognise him: and so forth, saying many things I have forgotten.

The war of succession, however, breaking out, Giordano was glad to seize the opportunity of re-returning to his family, on the occasion of the King's visit to Naples. He accompanied the court to Barcelona, in February, 1702, but as Philip delayed his embarkation, he asked and received permission to proceed by land.

It was not strange that he should feel that he merited the honor of painting the walls of the Escorial, and when this was refused him and Luca Giordano was selected for the work, Coello threw aside his brushes and paints, grew sad, then ill, and died a year later. His masterpiece is now in the Escorial; it represents the "Collocation of the Host."

That Giordano was a man of genius, there can be no doubt, but had he executed only a tenth part of the multitude he did, his fame would have been handed down to posterity with much greater lustre. Cean Bermudez says of his works in Spain, "He left nothing that is absolutely bad, and nothing that is perfectly good."

And leaning over his poor dying face stood Benedetta, sharing his sufferings, and mastered by such impotent grief that she also was unrecognisable, so white, so distracted by anguish, that it seemed as if death were gradually taking her at the same time as it was taking him. In the recess by the window whither Cardinal Boccanera had led Doctor Giordano, a few words were exchanged in low tones.

For this he had his revenge by causing his father to send to that connoisseur as originals, some of his imitations of Titian, Tintoretto, and Bassano, and afterwards avowing the deception; but he managed the joke so pleasantly that Romero was rather pleased than offended at his skill and wit. In 1655, Giordano painted in competition with Giacomo Forelli, a large picture of St.