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Sir Andrew Mitchell, British ambassador at the Prussian court, was consulted; and pleased with his lively genius, and his translations and drawings from Macbeth and Lear, he received Fuseli with much kindness, and advised him to visit Britain. Lavater, who till now had continued his companion, presented him at parting with a card, on which he had inscribed in German.

Wollstonecraft but to fly from the object which she regarded; her determination was instantly fixed; she wrote a letter to Fuseli, in which she begged pardon 'for having disturbed the quiet tenor of his life, and on the 8th of December left London for France."

Fuseli was inclined to be censorious, but possibly his severity was, in a great measure, deserved in the case of poor, vain, pretentious Harlow. In June 1818, in his thirty-first year, Harlow set out for Italy, bent on study and self-improvement. An interesting and characteristic account of his life in Rome is contained in his letter dated the 23d November, addressed to Mr.

It was commenced during the progress of the artist's portrait of Fuseli, who, examining the first drawing of the picture, said: 'I do not disapprove of the general arrangement of your work, and I see you will give it a powerful effect of light and shade.

Fuseli, who loved nothing better than to talk, had never a chance to say a word. "I wonder you invited me to meet such wretched company," he exclaimed to Mary in disgust. Thomas Holcroft, one of the four men whom Godwin acknowledged to have greatly influenced him, wrote them an enthusiastic letter of congratulation. Addressing them both, he says: "From my very heart and soul I give you joy.

Mary was devoid of the coquetry which is so strong with some women that they carry it even into their friendships. She never attempted to conceal her liking for Fuseli. His sex was no drawback. Why should it be? It had not interfered with her warm feelings for George Blood and Mr. Johnson.

In 1788 she took to translating, and became literary adviser to Johnson the publisher, through whom she became known to many of the literary people of the day, as well as to certain Radicals, including Godwin, Paine, Priestly, and Fuseli, the painter. She then, 1792, went to Paris, where she met Captain Imlay, with whom she formed a connection, the fruit of which was her daughter Fanny.

He alone was permitted to paint the figure of Alexander, as Lysippus only was allowed to represent him in bronze. He invented ivory black, and was the first to cover his pictures with a coating of varnish, to bring out the colors and preserve them. His distinguishing excellency was grace, "that artless balance of motion and repose," says Fuseli, "springing from character and founded on propriety."

Besides, his style is as hard as Albert Durer, and as coarse as Fuseli." Many thought that this was mere jealousy, and general waspishness; but I confess that, when the first glow of enthusiasm had subsided, I have found most judicious critics to agree that there was something falsetto in the style of Thurtell.

Since the disaffection of the latter has been construed in a way which reflects upon her character, it is necessary to pause here to consider the nature of the friendship which existed between them. The slightest shadow unfairly cast upon her reputation must be dissipated. Mary valued Fuseli as one of her dearest friends. He, like her, was an enthusiast.