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Thus, I have seen a German Madonna seated on a superb throne, and most elaborately and gorgeously arrayed, pressing her Child to her bosom with a truly maternal air; while beside her, on a table, is a honeycomb, some butter, a dish of fruit, and a glass of water. Ital. La Madonna col Bambino. La Madonna col celeste suo figlio. Fr. La Vierge et l'enfant Jesus. Ger. Maria mit dem Kind.

From these every trace of the mystical and solemn conception of antiquity gradually disappeared; till, for the majestic ideal of womanhood, we have merely inane prettiness, or rustic, or even meretricious grace, the borrowed charms of some earthly model. The Coronation of the Virgin. Lat. Coronatio Beatæ Mariæ Virginis. Ital. Maria coronata dal divin suo Figlio. Fr.

Believing her, however, to be there on such good authority, we were getting very sorry for Bellini's mother, when we were unexpectedly relieved, by finding it was only a bit of make-believe; for it was now divulged, che questa madre che piangea il suo figlio, was not in fact his personal mother, but "Italy" dressed up like his mother, and gone to Paris on purpose to weep and put garlands on the composer's tomb, amaranth and crocus, and whatever else was in season.

This note is entered in the diary: "January 1, 1881. Faceva i miei doni alla sposa, alla figlia, al mio figlio Stefano. La sposa era felicissima di ricevere la sua cassetta." Roberts Brothers had heard that a new book was in preparation, and they wrote in January, 1881:

The structure, of costliest materials, reared by Gian Antonio Amadeo, cost him fifty thousand golden florins. An equestrian statue of gilt wood, voted to him by the town of Bergamo, surmounts his monument inside the chapel. This was the work of two German masters called Sisto figlio di Enrico Syri da Norimberga and Leonardo Tedesco.

There is evidently some joke in the mere suggestion of such a thing; they all smile. Then a confused murmur of voices goes up: "Luigi Luigi. . . . Now which Luigi does he mean?" You repeat his surname in a loud voice. It produces no effect, beyond that of increased hilarity. "Luigi Luigi. . . ." "Perhaps O'Zoccolone?" "Perhaps O'Seticchio?" "Or the figlio d' O'Zibalocchio?"

The Queen turned from one pitiless face to the other and knew that there was no hope for her. "My God, I shall go mad!" she moaned, as she seized the pen with trembling fingers, unconscious that she had spoken: then in a last, desperate appeal, she cried to Fabrici: "Most Reverend Father, by your hopes of Heaven, I implore you give me my boy again! il mio dilettissimo figlio!

A great Italian politician, who further was very learned in oriental languages, a very rare thing among our politicians, said to me in my youth: "Caro figlio, remember that the Jews have never had but one good institution, that of having a horror of virginity."

In "Achill in Sciro" there is an air of this kind, "or che mio figlio sei." I thank my sister very much for the list of comedies she sent me. It is singular enough about the comedy "Rache fur Rache"; it was frequently given here with much applause, and quite lately too, though I was not there myself. I beg you will present my devoted homage to Madlle.

"It had been agreed between Her Majesty and myself, that I was to place myself so near the accoucheur, Vermond, as to be the first to distinguish the sex of the new-born infant, and if she should be delivered of a Dauphin to say, in Italian, 'Il figlio e nato. "Her Majesty was, however, foiled even in this the most blissful of her desires. She was delivered of a daughter instead of a Dauphin.