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Updated: June 27, 2025
He was born at the lovely little mountain-town of Fiesole near Florence, 1387, and his worldly name, which he bore only till his twenty-first year, was Guido Petri de Mugello. In his youth, with his gift already recognized, so that he might well have won ease and honour in the world, he entered the Dominican Convent of St Mark, Florence, for what he deemed the good and peace of his soul.
The Lord of Fiesole, who is our ally, is menacing the city by land; the Stella Company of Condottieri, which is in our pay, is also marching against them; and the news that Pisani was close at hand seems to have frightened them out of their senses. Their first step, as usual, has been to depose their doge and choose another. "However, that is not the point.
One night in particular that I passed at his pillow, listening to his wild snatches of regret, of aspiration, of rapture and awe at the phantasmal pictures with which his brain seemed to swarm, comes back to my memory now like some stray page from a lost masterpiece of tragedy. Before a week was over we had buried him in the little Protestant cemetery on the way to Fiesole.
The angels of Giotti, of Benozzo, of Fiesole, are, if not female, feminine; those of Filippo Lippi and of Andrea, masculine; but you cannot say of those of Raphael, that they are masculine or feminine. The idea of sex is wholly lost in the blending of power, intelligence, and grace.
The words of the preacher monks have passed away, and the world pays little heed to them now, but the teaching of Fra Angelico, the silent lessons of his wonderful pictures, are as fresh and clear to-day as they were in those far-off years. Great trouble was in store for the monks of the little convent at Fiesole, which Fra Angelico and his brother Benedetto had entered.
And certainly, as we pass from Fiesole down the new road where the tram runs, turning into the lanes again just by Villa Galetta, on our way to Maiano, we may fancy we see many places where such a life as that has always been lived, and, as I know, in some is lived to-day.
The magnets which draw every one who visits Florence to S. Marco are first Fra Angelico, and secondly Savonarola, or first Savonarola, and secondly Fra Angelico, according as one is constituted. Fra Angelico, at Cosimo's desire and cost, came from Fiesole to paint here; while Girolamo Savonarola, forced to leave Ferrara during the war, entered these walls in 1482.
<b>DUPRÉ, AMALIA.</b> Corresponding member of the Academy of Fine Arts, Florence, and of the Academy of Perugia. Born in Florence, 1845. Pupil of her father, Giovanni Dupré, who detected her artistic promise in her childish attempts at modelling. She has executed a number of notable sepulchral monuments, one for Adèle Stiacchi; one for the daughter of the Duchess Ravaschieri, in Naples, which represents the "Madonna Receiving an Angel in her Arms"; it is praised for its subject and for the action of the figures. "A Sister of Charity" for the tomb of the Cavaliere Aleotti is her work, and for the tomb of her parents, at Fiesole, she reproduced "La Piet
Yet fear was a strong element in Tito's nature the fear of what he believed or saw was likely to rob him of pleasure: and he had a definite fear that Fra Luca might be the means of driving him from Florence. "Fra Luca? ah, he is gone to Fiesole to the Dominican monastery there. He was taken on a litter in the cool of the morning. The poor Brother is very ill. Could you leave a message for him?"
"Before quitting Paris I went to your house, where I was told you had gone to wait for spring at Fiesole, with Miss Bell. I then had the hope of finding you in this country, which I love now more than ever." She asked him whether he had gone to Venice, and whether he had seen again at Ravenna the empresses wearing aureolas, and the phantoms that had formerly dazzled him.
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