aleotti

Giambattista Aleotti, a native of pageant-loving Ferrara, traced the stately curves and noble orders of the galleries, designed the columns that support the raftered roof, marked out the orchestra, arranged the stage, and breathed into the whole the spirit of Palladio's most heroic neo-Latin style.

John Addington Symonds - Sketches and Studies in Italy and Greece, Second Series

Next in point of time comes Vittoria Aleotti, a native of Argenta. Her magnum opus was published at Venice, in 1593, under the flowery title, "Ghirlanda dei Madrigali a 4 Voci."

Arthur Elson - Woman's Work in Music

Giambattista Aleotti, a native of pageant-loving Ferrara, traced the stately curves and noble orders of the galleries, designed the columns that support the raftered roof, marked out the orchestra, arranged the stage, and breathed into the whole the spirit of Palladio's most heroic neo-Latin style.

John Addington Symonds - New Italian sketches

<b>DUPRÉ, AMALIA.</b> Corresponding member of the Academy of Fine Arts, Florence, and of the Academy of Perugia. Born in Florence, 1845. Pupil of her father, Giovanni Dupré, who detected her artistic promise in her childish attempts at modelling. She has executed a number of notable sepulchral monuments, one for Adèle Stiacchi; one for the daughter of the Duchess Ravaschieri, in Naples, which represents the "Madonna Receiving an Angel in her Arms"; it is praised for its subject and for the action of the figures. "A Sister of Charity" for the tomb of the Cavaliere Aleotti is her work, and for the tomb of her parents, at Fiesole, she reproduced "La Piet

Clara Erskine Clement Waters - Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D.