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The play was Gretry's "Les Evenements Imprevus." Unfortunately, Madame Dugazon thought proper to bow to the Queen as she sang the words, "Ah, how I love my mistress!" in a duet. Above twenty voices immediately exclaimed from the pit, "No mistress! no master! liberty!" A few replied from the boxes and slips, "Vive le Roi! vive la Reine!" Those in the pit answered, "No master! no Queen!"

Looking at her how it came over one! The music, the lights, the scene; the fat soprano confiding to her the fact of the "amour extrême" she bears for the tenor, to which she, the dugazon, does not even try to listen; her eyes wandering listlessly over the audience.

In the midst of these was Cherubim, also drawing. I had the honor, like every one newly introduced, of having my portrait taken in caricature. Bégasse took me in hand and succeeded well. In an adjoining room were musicians and actors, among them Ponchard, Levasseur, Dugazon, Panseron, Mlle, de Munck, and Mme. Livère, of the Theatre Français.

Dugazon behaved villainously in the Revolution: he was one of those who went for the King to Varennes, and an eyewitness told me that he had seen him at the carriage door with a gun on his shoulder. Be it observed that this man had been overwhelmed with favours by the court, and especially by the Count d'Artois. I also witnessed Mlle. Contat's first appearance.

DUGAZON, the actor, next introduced Madame XAVIER, a very handsome and elegant woman. Lastly, Mademoiselle RAUCOURT presented her pupil, Mademoiselle GEORGES WEIMER, a young girl of perfect beauty. Mademoiselle DUCHESNOIS played Phedre, in RACINE'S tragedy of that name, seven successive times.

When each had taken his place at table, Dugazon, pretending to stammer, addressed a remark to Thiemet, who, playing the same role, replied to him, stammering likewise; then each of them pretended to believe that the other was making fun of him, and there followed a stuttering quarrel between the two parties, each one finding it more and more difficult to express himself as his anger rose.

Mesdemoiselles PINGENET. These two sisters are nothing as actresses; but seem to aspire to the title of singers, especially the elder, who begins to distinguish herself. Noble Mothers and Duennas. Mesdames DUGAZON, PHILIPPE, and GONTHIER. Madame DUGAZON. Twenty years ago she enjoyed a great name, for which she was indebted to the bad taste that then prevailed.

I recall still another amusing scene, the two heroes of which were this same Thiemet, of whom I have just spoken, and Dugazon. Several foreigners were present at a breakfast given by Eugene, the parts having been assigned, and learned in advance, and the two victims selected.

Dugazon would not yield. She left the stage. The same year that I went to Flanders I made a stay of some length at Raincy. The Duke d'Orléans, the father of Philippe Égalité, who was then living there, sent for me to paint his portrait and Mme. de Montesson's. I cannot recall a certain incident without laughing, though it annoyed me considerably at the time.

Madame Dugazon, a popular singer of the day, as she uttered the words, bowed toward the royal box, and instantly the whole pit was in a fury. "No mistress for us! no master! Liberty!" The whole house was in an uproar. The king's partisans and adherents replied with loyal cheers, "Vive le roi! Vive la reine!"