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Updated: June 14, 2025
In a week he would have known every man and dog in the village by name. "Good mornin', sir," said the Law, which was nibbling its chin strap and had both thumbs stuck in its belt. "That's a fine thing you was singin'. May I arsk wot it was? I do a bit in that line meself." "It's the cantabile from Saint-Saëns' Samson et Dalila," replied Trenholme. "Mon coeur s'ouvre
Each of the three had lost an eye in the course of his misfortunes. III. The third number is the idyll, both of the stories and of the music. There is no prelude of the narrator. The idyll begins straightway, Andantino quasi allegretto, winds through all kinds of scenes and storms, then sings again dolce e cantabile.
In the bravura she astonished! in the cantabile she charmed; her maestoso was inimitable! and her adagios! Oh! they were ravishing! killing. She indeed openly accused him of flattering her; but Signor Gridarini appealed both to his honour and his friends; the best judges in Europe, who as she well knew all said the same.
we have, in his own unmistakable color and warmth, those interiors of rake-helly life and tavern fun the cantabile of jolly beggars in highest jinks lights and groupings of rank glee and brawny amorousness, outvying the best painted pictures of the Dutch school, or any school.
One distinguishes, however, these latter easily from the ancient ones on account of their less original and less cantabile form. Its movement is in time, and yet less quick than the waltz. The motive is in dotted notes, which must be executed with energy and warmth, but not without a certain dignity. Now the mazurka is generally written in 3/4-time; Chopin's are all written thus.
During the last few years my chief endeavor has been to play the piano-forte, in spite of its deficiency in sustaining the sound, so much as possible, in a singing manner, and to compose for it accordingly. This is by no means an easy task, if we desire not to leave the ear empty or to disturb the noble simplicity of the cantabile by too much noise."
In the pieces of which MEHUL has composed the music, he shines by the finished manner in which he executes it; the cantabile is his fort. As an actor, his declamation is not natural, and his deportment is too much that of a mannerist. However, these defects are compensated by his singing. To the music of others, he does every justice, and that which he composes himself is extremely agreeable.
Only the music was given, with as much of the harmony as could be played on the grand piano by one pair of hands. There could be no severer test than this. The music is generally Italian in form, especially in the flowing grace of the cantabile passages, and in the working up of the climaxes.
Well, you may call it a secret, for many of my pupils have no inkling of it when they first come here, though it seems very much of an 'open secret' to me. The finished beauty of the violin 'voice' is a round, sustained, absolutely smooth cantabile tone. You see each slide from one tone to the next, a break a rosary of lurches!
I do not pose as the obstinate advocate of parallel stringing, although I believe that, so far, it is the most logical and the best; the best, because the left hand division of the instrument is free from a preponderance of dissonant high partials, and we hear the light and shade, as well as the cantabile of that part, better than by any overstrung scale that I have yet met with.
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