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Updated: June 16, 2025
Jacob Bunn, of Springfield, as honest a man as ever lived and a man of high standing, was compelled to take a distillery in part payment of a very large debt which was owing to him, and to make it of any account he had to operate it until such a time as he could dispose of it.
Three days later the moving picture company returned to New York. "And what are the next plans I mean what sort of pictures are you going to make next?" asked Mr. DeVere of Mr. Pertell. "I haven't quite made up my mind. I'll let you all know a little later," the manager answered. "I hope it isn't any more snow and ice," remarked Mr. Bunn. Mr. Pertell only smiled. Mr.
Of course all this was "only make believe," as children say. But it was put on for the film in a very realistic manner. Pop Snooks had constructed a slab house, with the aid of the cowboys, who said it was as near the "real thing" as possible. Later on the house, which was but a shell, and intended only for the "movies," would be destroyed by fire. Bunn and Mr.
Towards the end of the year closing in May, 1866, Emma Bunn, an orphan girl of seventeen, was struck with consumption. Though, for fourteen years, she had been under Mr. Muller's care, she was, in this dangerous illness, still careless and indifferent; and, as she drew near to death, her case continued as hopeless as ever.
"Well, maybe it's a good thing they won't," murmured the manager, but what he said, aloud, was: "You will have to take that part, Mr. Bunn, or look for another engagement." "Then I'll leave!" the old actor declared gloomily. But a little later he was observed to be putting on his mask, and taking his place in the "den of the counterfeiters," as the screen announced the place to be.
In the summer of 1853 Alfred Bunn, formerly manager of Drury Lane Theatre, London, arrived in Boston. He was then one of the most notable figures in the theatrical world. It was he who had made the first engagement with Jenny Lind to appear in London. She had been induced to break this engagement, however, through the solicitations of Mr. Lumley, of Her Majesty's Theatre, with the result that Mr.
Sneed, and do whatever Russ wants you to. He'll be busy with the camera so you will have to steer, and run the engine. The last won't bother you though, for it has a self-starter on and a gear clutch. You'll be in no danger." Mr. Sneed did not seem anxious to go. However, orders were orders, and members of the company, even Mr. Wellington Bunn, thought twice before refusing Mr. Pertell.
"But it wasn't a cow, my friend," spoke the foreman. "It was a vicious steer and you might have been badly hurt if Buster hadn't roped it in time." "Is that so?" asked Mr. Bunn. "It sure is!" "Well, er then perhaps after all, if it was as important as that, you may show the film," conceded the Shakespearean actor, who had a large idea of his own importance.
You're under arrest!" "But but it's for the movies!" cried Paul, not wishing the scene spoiled. "Tell that to the taxicab man! I've heard that yarn before! You come with me. And you too," he added to Mr. Bunn. "I want you for a witness. You've been robbed!" "The scene will be spoiled!" exclaimed Alice, as she saw a crowd surge up when the officer grasped Paul. "Too bad!" declared Ruth.
Bunn, who could not seem to understand that from a simulated robbery it had turned out to be a "real" one. "I tell you we're moving picture actors!" Paul cried. "There has been no theft!" "And you expect me to believe that!" sneered the policeman. "You can't get away with that story." "Well, there's the man who is taking the pictures!"
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