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Beltran de Cueva, a brilliant nobleman, was the favorite and influential person at the court at this time, and his gradual rise to favor had been due in no small measure to the protection of the new queen, who was Beltran's all but acknowledged mistress and took no pains to conceal the matter at any time.

Scoring whitely their tracery of intricate lines, the groups go by in whorls, in angles, in sweeping circles, and the ice shrinks beneath them; here a fairy couple slide along, waving and bowing and swinging together; far away some recluse in his pleasure sports alone with folded arms, careening in the outward roll like the mast of a phantom-craft; everywhere inshore clusters of ruddy-cheeked boys race headlong with their hawkey-sticks, and with their wild cries, making benders where the ice surges in a long swell: and constantly in Beltran's wake slips Vivia, a scarlet shadow, while a clumsy little black outline is ever designing itself at her heels as Ray strives in vain to perfect the mysteries of the left stroke.

"By Saint Jago, this is too much!" screamed the infuriated nobleman; and the next moment there was a shriek, and the maiden fell to the ground with Don Beltran's dagger in her side. "Death is better than dishonor!" cried the child, rolling on the blood-stained marble pavement. "I I spit upon thee, dog of a Christian!" and with this, and with a savage laugh, she fell back and died.

So Vivia, too, sits down at Beltran's feet that day, and busies herself with those pink plumes of the spoonbill's wings which he brought home to her, so that, when he wakes, he sees her standing there like the spirit of his dream, her dark eyes shining out from under the floating shadowy hair, and the rosy wings trembling on her little white shoulders.

Walking below, Beltran the cook was singing in his big voice a Moorish song that they made much of year before last in Seville. I had a book of Messer Petrarca's poems. It had been Gutierrez's, who left it behind when he broke forth to the mountains. Beltran's voice suddenly ceased. Diego the archer above him on wall had cried down, "Hush, will you, a moment!" Diego de Arana came up. "What is it?"

And just then Beltran has no word for Ray, the customary smiling word always waited for, since his eyes are on the vision at his feet, and straightway the child springs down, springs where he can intercept Beltran's view, seems to rise in his wrath a head above the girl, and, looking at Beltran all the while, slaps Vivia on the cheek.

He and his guest, the English knight Sir Wilfrid, were playing at chess, a favorite amusement with the chivalry of the period, when a messenger was announced from Valencia, to treat, if possible, for the ransom of the remaining part of the Alfaqui's family. A grim smile lighted up Don Beltran's features as he bade the black slave admit the messenger. He entered.

The color rises on Ray's cheeks, his angry eyes fall, his chest heaves, his lips tremble, off from the long black lashes spin sprays of tears, he cannot move, he is so closely held, but slowly he turns his head, meets the red lips of the forgiving girl with his, then casts himself with sobs on Beltran's breast.

As for Vivia, she was a Maryland woman. Too burningly indignant, the blood bubbled in her heart for words sometimes, and she would be glad of Beltran's weapons with which to confront Kay when he returned from Boston, whither, the day before, without a word's explanation, he had betaken himself. So she turned again to the open letter, and scanned its weightiest paragraphs.

Beltran's up on the Potomac, or else you couldn't have gotten this letter, don't you know? You made my heart jump into my mouth!" And resuming his seat, to find his string and jack in cinders, he turned round astride his chair and commenced notching his initials into its back, with cautious glances at his aunt. "That's for little Jane to cry over after I'm gone," said he.