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Updated: June 24, 2025


The pianoforte performances of Chopin took up by far the greater part of the programme, which was varied by two arias from Adam's "La Rose de Peronne," sung by Mdme. Damoreau Cinti, who was as usual "ravissante de perfection," and by Ernst's "Elegie," played by the composer himself "in a grand style, with passionate feeling and a purity worthy of the great masters."

Now we can scarcely play on the violin or wind instrument a love melody which does not rise two or three octaves above the normal. The standard Italian song-composers of the first half of the last century were especially fond of using the middle register for tones expressive of peculiarly dramatic pathos, as well as for powerful final passages of arias.

Ayora, the lieutenant of Pedro Arias, was to leave fifty men and the small boat, which would serve as a courier, at Pochorroso, so that these boats might serve to carry news to the lieutenant and to the colonists of Darien, just as relays are arranged on land.

I had cast off all my rustic shyness, and sat at the pianoforte with my score before me like an experienced professional, directing the performances of my prima donna. All my mind all my thoughts were sweet melodies. Utterly regardless of all the rules of counterpoint, I composed all sorts of canzonets and arias, which Lauretta sang, though only in her own room.

My ear is not over nice, but I have always had a suspicion that I was executing, in the sense of murder, the difficult arias that the old weazen-faced Italian professor kept me at till brother Dan said, in truth, that I was turning into a screech-owl. But no one, save he and Mr. Hemstead, has been honest enough to tell me the truth.

When Arias Gonzalo heard this, it grieved him to the heart, and he said, In an evil day was I born, that so shameful a falsehood as this should be said to me in mine old age, and there should be none to revenge me! Then his sons arose and armed themselves hastily, and went after Vellido, who fled before them toward the gate of the town.

He elaborated the recitative or declamatory element in opera with great care, and insisted that his singers should make this the object of their most careful efforts. The arias, duos, quartets, etc., as well as the choruses and orchestral parts, were made consistent with the dramatic motive and situations.

Many girls think, if they attend two or three voice lessons a week and learn some songs and a few operatic arias, that is all there is to it. But there is far more. They must know many other things. The vocal student should study piano and languages; these are really essential.

Of course the master teacher has no need of printed score; he knows the arias by heart. He merely jots down a few remarks on a slip of paper, to be referred to later. The aria goes quite well. At its close the singer goes to her seat and another takes her place. A voice of rich, warm timbre. More English and it must be most exact, to suit Mr. Bispham's fastidious ear.

And Don Arias answered that it was well to hear what the King her brother had sent to say: Peradventure, said he, he goeth against the Moors, and requires aid of you, which it would be right to give; and for such service I and my sons would go with him, and I would give fifteen of my people well mounted and armed, and supply them with food for ten years, if he needed them.

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