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Updated: June 27, 2025


He began exchanging ballades with Philip, whom he apostrophises as his companion, his cousin, and his brother. He assures him that, soul and body, he is altogether Burgundian; and protests that he has given his heart in pledge to him. Regarded as the history of a vendetta, it must be owned that Charles's life has points of some originality.

That Chopin had a programme, a definite one, there can be no doubt; but he has, wise artist, left us no clue beyond Mickiewicz's, the Polish bard Lithuanian poems. In Leipzig, Karasowski relates, that when Schumann met Chopin, the pianist confessed having "been incited to the creation of the ballades by the poetry" of his fellow countryman.

The idealized dance forms he preferred; the Polonaise, Mazurka and Valse were already there for him to handle, but the Ballade was not. Here he is not imitator, but creator. Not loosely-jointed, but compact structures glowing with genius and presenting definite unity of form and expression, are the ballades commonly written in six-eight and six-four time.

I can make chansons, ballades, lais, virelais, and roundels, and I am very fond of wine. I was born in a garret, and I shall not improbably die upon the gallows. I may add, my lord, that from this night forward I am your lordship's very obsequious servant to command." "No servant of mine," said the knight; "my guest for this evening, and no more."

Events had so fallen out while he was rhyming ballades, that he had become the type of all that was most truly patriotic. The remnants of his old party had been the chief defenders of the unity of France. His enemies of Burgundy had been notoriously favourers and furtherers of English domination.

The Pole practically built up a new musical structure, boldly called it a Scherzo, and, as in the case of the Ballades, poured into its elastic mould most disturbing and incomparable music. Chopin seldom compasses sublimity. His arrows are tipped with fire, yet they do not fly far. But in some of his music he skirts the regions where abide the gods.

Belloc's style was accorded more general recognition than were his ideas. Many who decried his matter extolled his manner. Many men of talent, some men of genius, such as the late Rupert Brooke, regarded him as a very great writer of English prose. Literary dilettanti envied him the refrains of his ballades. His essays, many of which were manner without matter, were thoroughly popular.

That he could attempt far flights one may see in his B flat minor Sonata, in his Scherzi, in several of the Ballades, above all in the F minor Fantasie. In this great work the technical invention keeps pace with the inspiration. It coheres, there is not a flaw in the reverberating marble, not a rift in the idea.

I have many a time, as well as my master, Zimmermann, caused Chopin's sonatas, concertos, ballades, and allegros to be played as examination pieces; but restricted as I was to a fragment of the work, I was pained by the thought of hurting the composer, who considered these alterations a veritable sacrilege. This, however, is a digression.

Indeed, the presence of whole classes of writings, of which such things as Boccaccio's Tales, "The Wife of Bath," and Villon's "Ballades," on the one hand, and the songs of the troubadours, the poem of Gottfried, and the romance or rather novel of "Flamenca," are respectively but the most conspicuous examples, ought to prove only too clearly that the Middle Ages, for all their asceticism, were both as gross and as æsthetic in sensualism as antiquity had been before them.

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