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Updated: June 2, 2025


The boys on the staircase in the fresco which shows S. John leaving his father's house are very much alive. This is by Franciabigio, as is also S. John meeting with Christ, a very charming scene. Andrea's best and latest is the Birth of the Baptist, which has the fine figure of Zacharias writing in it.

He gathered the experience of all the force of Michelangelo, the handling of Leonardo, the sentiment of Raphael, so blending them as to form a style seemingly his own, and in execution following closely on their excellence. In Giotto's or Masaccio's case the master created the art; in Andrea's it was the art of the age which made the artist.

Andrea's heart almost ceased to beat. Then, very slowly, Pietro went on appraisingly. "Very good, very good, indeed! And you say he has had some training?" "Oh, yes!" the boy answered, and with glowing face, vastly relieved, "he has carried messages from ever so far, from the Lido, from Chioggia " "Have you kept his record?" Pietro interrupted brusquely.

The baron adored Count Andrea Cavalcanti: not so Mademoiselle Eugenie Danglars. With an instinctive hatred of matrimony, she suffered Andrea's attentions in order to get rid of Morcerf; but when Andrea urged his suit, she betrayed an entire dislike to him. The baron might possibly have perceived it, but, attributing it to a caprice, feigned ignorance.

It seemed to hold for the three the sum of human perfectibility. Jeffrey was The Prisoner, and therefore they loved him. He gave up trying to find out more; it seemed to him he could guess the riddle better if he had a word or two of Andrea's language to help him, and he asked summarily if they couldn't have some lessons together. Wouldn't Andrea come up to the house and talk Italian?

"No harm at all," the old man answered; "and now I propose to take him to the Rialto and there give him his freedom, while you wait here and see if he knows enough to come home. Notice the time by the big clock; if he returns promptly, you may reward him with a good breakfast and plenty of water to drink, for he will be thirsty." Andrea's face lighted up with joy.

After the partnership with his friend, he undertook to paint some frescoes independently, and that work earned for him the name of "Andrea senza Errori" Andrea the Unerring. Then, as now, each artist had his own way of working, and Andrea's was perhaps the most difficult of all, yet the most genius-like.

After you left I sent for Andrea and Gemma to tell them the news from Vienna and the probability of my being summoned to Milan before night. You know as well as I that we have reached a crisis. There will be fighting within twenty-four hours, if I know my people; and war may follow sooner than we think. I felt it my duty to leave my affairs in Andrea's hands, and to entrust my wife to his care.

On the other side of the door is Andrea's brilliant "S. John the Baptist as a Boy," No. 272, and then the noblest Fra Bartolommeo here, a Deposition, No. 64, not good in colour, but superbly drawn and pitiful. In this room also is the monk's great spirited figure of S. Marco, for the convent of that name.

But among them she unfortunately counted a peon woman of the upper Mexican plateau, one of the class which took from the Conquest only Spanish viciousness to add to Aztec cruelty. Jealous of Andrea's luck as they had deemed it in marriage, Pancha had thirsted for the opportunity which came as they drew water together that morning from the brink of the flood.

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