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Updated: June 15, 2025


George's Hall, where a drawing-room and dressing-room had been prepared for the principal guests. Before the banquet, I had some conversation with Sir James Kay Shuttleworth, who had known Miss Bronte very intimately, and bore testimony to the wonderful fidelity of Mrs. Gaskell's life of her.

Gaskell's novel, but, as we have seen, he scored in the illustration of it the first of his great successes with the general public. The gift of illustration, after all, is a very rare one. Nothing is to be understood more easily than the value the public began to put upon du Maurier's gift. In a response of that sort the public display true discrimination.

Gaskell's incomparable "Cranford," is, I think, the most popular of Miss Mitford's works. She herself has always a peculiar honor in my mind, from the exemplary devotion of her whole life to her father, for whom her dutiful and tender affection always seemed to me to fulfil the almost religious idea conveyed by the old-fashioned, half-heathen phrase of "filial piety."

Gaskell's novels, "Pride and Prejudice," by Jane Austin, and "David Copperfield." Besides these, I chose a book for Sunday reading, as my observations upon my mother and Julia had taught me that my patient could not read a novel on a Sunday with a quiet conscience. Barbet brought half a sheet of an old Times to form the first cover of my parcel.

Gaskell's Cranford and describe it, having in mind the style, the interest, and the characters of the story. How does it compare, as a picture of country life, with George Eliot's novels? What are the romantic elements in the story? How does it compare with Scott's romances in style, in plot, in interest, and in truthfulness to life?

Gaskell's compliment, and the latter continued, "Let me enjoy the pleasure of playing with you once more in Oxford; let us play the 'Areopagita." And so saying he opened the pianoforte and sat down. John was turning to take out the Stradivarius when he remembered that he had never even revealed its existence to Mr. Gaskell, and that if he now produced it an explanation must follow.

Its title ran: "Jane Eyre: an Autobiography. Edited by Currer Bell." The romantic story of its acceptance by the publishers has been told in our condensation of Mrs. Gaskell's "Life of Charlotte Brontë." Though the experiences of Jane Eyre were not, except in comparatively unimportant episodes, the experiences of the authoress, Jane Eyre is Charlotte Brontë.

Gaskell was able to explain who she was, and she has just gone to her home. Hoping for Mrs. Gaskell's speedy recovery, and with all good wishes, I am, "Yours very truly." Yet, though he had completed the letter, Gilder did not at once take up another detail of his business. Instead, he remained plunged in thought, and now his frown was one of simple bewilderment.

His story brought out the insignificance of Charlotte Bronte's aspect, and the bluff rejection of her by Mr. , much more strongly than Mrs. Gaskell's narrative. Chorlton Road, August 9th.

It did not look crazy, with its Gaskell's Compendium copperplate and its careful signature. I don't know why I picked up the envelope from where it lay unnoticed on the table by Dudley and fiddled with it scrutinizingly, but I did. The outside of it looked all right, with its address in Thompson's neat copperplate.

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