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His service is a flat delivery of good speed, at times, verging on the American twist. His ground game carries top spin drives forehand and backhand. His volleying and overhead are severe and powerful but prone to be erratic. Fischer is an all court player of the most modern type. He is aggressive, almost too much so at times as he wastes a great deal of energy by useless rushing.

He uses a high, bounding service of good speed, which at times he follows to the net. His best ground stroke is a severe chop, not unlike Wallace F. Johnson. He has a good drive both forehand and backhand, which he only uses when pressed or in attempting to pass a net man. He volleys very well, and covers the net quickly. His overhead is very severe, steady, and reliable.

Johnson, who had enjoyed a commanding lead of a set and 4-1, had slumped, and Pearson had pulled even at a set-all, and was leading at 5-1 and 40-15, point set match. He pulled Johnson far out to the forehand and came to the net. Johnson chopped viciously down the side-line, but Pearson volleyed to Johnson's deep backhand corner.

At 3-2 in my favour, I essayed a journey to the net, only to have Kingscote pass me 'cross court to my backhand. I turned and started rapidly for the shot murmuring "Peach" as I went. Suddenly my feet went out and I rolled over on the ground, sliding some distance, mainly on my face. I arose, dripping, just in time to hear, sotto voce, in the gallery at my side: "A little bit crushed, that Peach."

The swing brings the racquet head on a line with the arm, and the whole racquet is merely an extension of it. The backhand grip is a quarter circle turn of hand on the handle, bringing the hand on top of the handle and the knuckles directly up. The shot travels ACROSS the wrist. This is the best basis for a grip.

He has many and varied services, underhand cuts, fore and backhand, a "push" off his nose, and even one serve where he turns his back on the court and serves the ball back over his head. His drives are cramped in swing and hit with excessive top spin. His footwork is a defiance of all rules. His volleying game looks like an accident, yet Mishu produces results.

His first letter was unstamped and addressed to him on hotel stationery; the handwriting was an unfamiliar backhand and the inclosure brief: DEAR MR. ARNHEIM: I am very sorry we could not keep our date, but I got a message and I got to go in on the 7:10 train. Hope to see you when I come back. Sincerely, MYRA STERNBERGER. Mr. Arnheim replaced the letter slowly in the envelope.

Without a question Tharon stood up and buckled the belt about her slender waist. Her father raising himself with difficulty on an elbow, wet his lips. "Tharon, my girl," he said, "show your dad th' backhand flip." Strange play, this, when every second counted, but Last's daughter obeyed him to the letter.

His attack is rather obvious in that he seldom plays the unusual shot, yet his accuracy is so great that he frequently beats a man who guesses his shot yet can't reach it. N. E. Brookes stated he considered Garland one of the greatest ground-stroke players in the world. This is true of his forehand, but his backhand lacks punch. His whole game needs speed and aggressiveness.

The anonymous letter was in force even in that remote period, the age of myths. It is consistent, for nearly all anonymous letters are myths. A wife stays out late; her actions may be quite harmless, only indiscreet. There is, alack! always some intimate friend who sees, who dabbles her pen in the ink-well and labors over a backhand stroke. It is her bounden duty to inform the husband forthwith.