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Updated: June 20, 2025
She played then such pieces as the Violin Concerto, by Viotti, Alard’s Souvenir the Daughter of the Regiment, Souvenir de Gretry, Souvenir de Mozart, by Leonard, and the Tremolo, by De Beriot. She also gave at times the Witches’ Dance, by Paganini and La Melancholie, by Prune. After some delay Camilla joined her father and mother at New York, and the family were once more reunited.
At the age of nine he was placed under a French teacher named Sainte-Marie, whose training gave him the severe state and methodical qualities by which his playing was always distinguished. His love for his instrument was greatly augmented when, at the age of ten, he heard Viotti play one of his concertos, and from that day the great violinist became his model.
His compositions for the violin were as superior to those which had previously been heard as his execution surpassed that of all his predecessors and contemporaries. Giornowick's style was full of grace and suave elegance; Viotti was characterized by a remarkable beauty, breadth, and dignity. Lavish attentions were bestowed on him from the court circle.
Chinnery's son and daughter, sang a delicious piece of music to me, composed for me by that good-natured Viotti. I was truly touched by this affectionate greeting; indeed, the fortnight I spent at Gillwell were days of joy and gladness. Mme. Chinnery was a beautiful woman, with much mental subtlety and charm.
"Well," said Viotti, "I will give you twenty francs for your violin. You can buy a much better one for that price; but let me try it a little." He took the violin in his hands, and produced some extraordinary effects from it. A considerable crowd gathered around, and listened with curiosity and astonishment to the performance.
The subject was referred to by him with great enthusiasm in his letters to his friends. There are numerous anecdotes about Viotti in reference to his ready repartee and to his generous nature. One of the most interesting is that concerning a tin violin. Viotti offered the man twenty francs for the curious instrument, which had been made by the old man's nephew, who was a tinker.
One day the latter asked Boccherini, in a rather straightforward manner, what difference there was between his playing and that of his cousin Charles IV. "Sire," replied Boccherini, without hesitating for a moment, "Charles IV plays like a king, and your Majesty plays like an emperor." Giovanni Battista Viotti was born in a little Piedmontese village called Fontaneto, in the year 1755.
This was Eustache; he had just come in time to hear the conclusion of the bargain, and, little dreaming that he was so clever a violin-maker, wished to continue a trade that had begun so successfully. However, Viotti was quite satisfied with the one sample he had bought.
"Her Majesty was the great patroness of the celebrated Viotti, who was also attached to her private musical parties. Before Viotti began to perform his concertos, Her Majesty, with the most amiable condescension, would go round the music saloon, and say, 'Ladies and gentlemen, I request you will be silent, and very attentive, and not enter into conversation, while Mr.
This was soon arranged, and for many years the two violinists were inseparable. He even accompanied Viotti in his journey to London, where they were heard more than once in duets. The illustrious Italian had recognized in Robrechts the pupil who most closely adhered to his style of playing, and one of the few who were likely to diffuse it in after years.
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