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In 1820 Robrechts returned to Brussels, where he was elected first violin solo to the king, Wil-helm I. It was shortly after this that De Bériot took lessons from him, and he it was who gave him the letter of introduction to Viotti. The same excellent professor also gave instructions to the young Artot. He died in 1860, the last direct representative of the great Viotti school.
Arriving at Paris, and believing probably that the classical style of Robrechts, from whom he had had instruction in Brussels, did not lead him swiftly forward enough in the path he would travel, he sought Viotti, as we have related above, and by his advice entered himself in the violin class of the Conservatoire, which was directed by Baillot, an eminent player of the Viotti school, though never a direct pupil of the latter master.
This was soon arranged, and for many years the two violinists were inseparable. He even accompanied Viotti in his journey to London, where they were heard more than once in duets. The illustrious Italian had recognized in Robrechts the pupil who most closely adhered to his style of playing, and one of the few who were likely to diffuse it in after years.
Viotti had but few pupils, but among them were a number of highly gifted artists. Rode, Robrechts, Cartier, Mdlle. Gerbini, Alday, La-barre, Pixis, Mari, Mme. Paravicini, and Vacher are well-known names to all those interested in the literature of the violin.
There was at this time in Brussels a violinist named Robrechts, a former pupil of Viotti, and one of the last artists who derived instruction directly from the celebrated Italian. Andreas Robrechts was born at Brussels on the 18th of December, 1797, and made rapid progress as a musician under Planken, a professor, who, like the late M. Wéry, who succeeded him, formed many excellent pupils.
He then entered himself at the Conservatoire of Paris in 1814, where he received some private lessons from Baillot, while the institution itself was closed during the occupation by the allied armies. Viotti, hearing the young Robrechts play, was so struck with his magnificent tone and broad style that he undertook to give him finishing lessons, with the approbation of Baillot.
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