Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 31, 2025
Figs. 2 and 3. From Muybridge's instantaneous photograph of a fox-terrier, showing the probable origin of the pose of the "flying gallop" transferred from the dog to other animals by the Mycenæans. The stretched-leg prance used to represent the gallop by Carle Vernet in 1760. The stretched-leg prance used by early Egyptian artists. Flying Gallop. Flying Gallop. Galloping Griffon. Flying Gallop.
Louis Philippe now desired him to paint four battle-pieces; but Vernet objected that no room was large enough to please him: for this reason a floor was removed, two stories turned into one, and the grand Gallery of Battles made.
Even the wretched succession of forays which the French have for the last twenty years been prosecuting in Algerine Africa, here shine resplendent; for Vernet has painted, by Louis-Philippe's order, and at France's cost, a succession of battle-pieces, wherein French numbers and science are seen prevailing over Arab barbarism and irregular valour, in combats whereof the very names have been wisely forgotten by mankind, though they occurred but yesterday.
He was the son of Antoine Vernet, an obscure painter, who foretold that he would one day render his family illustrious in art, and gave him every advantage that his limited means would permit.
Carle was a witty man, and it is said that when he was dying he exclaimed, "How much I resemble the Grand Dauphin son of a king, father of a king, and never a king myself!" In spite of his being less than his father or his son, he was a good painter of horses. When Horace Vernet was but fifteen years old he supported himself by drawing; he studied with Vincent, and drew from living models.
At the sight of Vernet, with whose immense strength they were acquainted, those in the hall drew back a step, and Vernet, taking advantage of this movement, succeeded in ejecting them and in securing the door once more.
Louis Philippe sent by his ambassador for Vernet to return to Paris. "You may paint the Siege of Valenciennes without any Louis XIV. in it, if you please," he said. The painter was received warmly, and the old quarrel was forgotten. He at once commenced a picture of immense size the taking of Smala, which in eight months he finished.
Dr. Waagen was of opinion that the academic system gave an artificial elevation to mediocrity; that it deadened natural talent, and introduced into the freedom of art an unsalutary degree of authority and interference. The late Horace Vernet entertained similar views, recommending the suppression of the French Academy at Rome.
The Torlonia palace was practically the only princely house open to strangers, and it often sheltered a most distinguished company. Among those who were entertained there may be included Thorwaldsen, the great Danish sculptor, Madame Récamier, Chateaubriand, Canova, Horace Vernet, the French painter, and his charming daughter Louise, and the great musician Mendelssohn.
"It was on going from Marseilles to Rome," says one of his biographers, M. Pitra, "that Joseph Vernet, on seeing a tempest gathering, when they were off the Island of Sardinia, was seized, not with terror, but with admiration; in the midst of the general alarm, the painter seemed really to relish the peril; his only desire was to face the tempest, and to be, so to say, mixed up with it, in order that, some day or other, he might astonish and frighten others by the terrible effects he would learn to produce; his only fear was that he might lose the sight of a spectacle so new to him.
Word Of The Day
Others Looking