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He had confined himself to gradually estranging Jean Valjean from his house and to effacing him, as much as possible, from Cosette's mind. He had, in a manner, always placed himself between Cosette and Jean Valjean, sure that, in this way, she would not perceive nor think of the latter. It was more than effacement, it was an eclipse. Marius did what he considered necessary and just.

The Thenardiers had remained with her as two hideous figures in a dream. She remembered that she had gone "one day, at night," to fetch water in a forest. She thought that it had been very far from Paris. It seemed to her that she had begun to live in an abyss, and that it was Jean Valjean who had rescued her from it.

As for Enjolras, he had begun to re-load his rifle; he cut his eyes about him: "No objections." And he turned to Jean Valjean: "Take the spy." Jean Valjean did, in fact, take possession of Javert, by seating himself on the end of the table. He seized the pistol, and a faint click announced that he had cocked it. Almost at the same moment, a blast of trumpets became audible.

A man could, however, plunge into that wall of fog and it was necessary so to do. Haste was even requisite. It occurred to Jean Valjean that the grating which he had caught sight of under the flag-stones might also catch the eye of the soldiery, and that everything hung upon this chance. They also might descend into that well and search it. There was not a minute to be lost.

This was the same mourning suit which he had made her put on when she had quitted the Thenardiers' inn. It was not very threadbare even now. Jean Valjean locked up these garments, plus the stockings and the shoes, with a quantity of camphor and all the aromatics in which convents abound, in a little valise which he found means of procuring.

Marius, motionless, with his body resting in the corner, and his head drooping on his breast, his arms hanging, his legs stiff, seemed to be awaiting only a coffin; Jean Valjean seemed made of shadow, and Javert of stone, and in that vehicle full of night, whose interior, every time that it passed in front of a street lantern, appeared to be turned lividly wan, as by an intermittent flash of lightning, chance had united and seemed to be bringing face to face the three forms of tragic immobility, the corpse, the spectre, and the statue.

The truth is, that she was ravishing in every respect, and that she distinguished the difference between a bonnet from Gerard and one from Herbaut in the most marvellous way. Jean Valjean watched these ravages with anxiety. He who felt that he could never do anything but crawl, walk at the most, beheld wings sprouting on Cosette.

Jean Valjean took Fantine's head in both his hands, and arranged it on the pillow as a mother might have done for her child; then he tied the string of her chemise, and smoothed her hair back under her cap. That done, he closed her eyes. Fantine's face seemed strangely illuminated at that moment. Death, that signifies entrance into the great light.

It was thus that Jean Valjean quitted the convent of the Perpetual Adoration. On leaving the convent, he took in his own arms the little valise the key to which he still wore on his person, and would permit no porter to touch it. This puzzled Cosette, because of the odor of embalming which proceeded from it. Let us state at once, that this trunk never quitted him more.

"It is the knell, Monsieur Madeleine. The bell will continue to strike once a minute for twenty-four hours, until the body is taken from the church. You see, they play. At recreation hours it suffices to have a ball roll aside, to send them all hither, in spite of prohibitions, to hunt and rummage for it all about here. Those cherubs are devils." "Who?" asked Jean Valjean. "The little girls.