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Updated: June 16, 2025
The story of the Florentine painter Spinello Spinelli, to whom Lucifer appeared in a dream to ask him in what place he had beheld him under so brutish a form as he had painted him, is told in Giorgio Vasari’s Vite de’ più eccellenti Pittori, Scultori, ed Architteti , which is the basis of the history of Italian art. The devil is very sensitive in regard to his appearance.
One is a portrait of Nicolò Spinelli. Christ and His Angels, the angels playing in praise of the Eternal and other angels playing various instruments. The St. Barbara, by Jan, is repeated in the Bruges Museum The Donateur or Donor is a repetition of the original at Bruges. The Adoration of the Lamb is a copy of the original at Ghent. There is tender beauty in Jan's St.
It is spacious but tawdry, and its plate-glass gives one a shock. Then the Rio Michiel and then the Tornielli, very dull, the Curti, decayed, and the Rio dell'Albero. After the rio, the fine blackened Corner Spinelli with porphyry insets. At the steamboat station of S. Angelo are new buildings one a very pretty red brick and stone, one with a loggia standing on the site of the Teatro S. Angelo.
They had transferred him to the Fort of Bicêtre, together with Crocé Spinelli, Genillier, Hippolyte Magen, a talented and courageous writer, Goudounèche, a schoolmaster, and Polino. This last name had struck Louis Bonaparte. "Who is this Polino?" Morny had answered, "An ex-officer of the Shah of Persia's service." And he had added, "A mixture of Don Quixote and Sancho Panza."
At 11.57, an hour previously, Spinelli had written in his notebook, "Slight pain in the ears somewhat oppressed it is the gas." At 23,000 feet Sivel wrote in his notebook, "I am inhaling oxygen the effect is excellent," after which he proceeded to urge the balloon higher by a discharge of ballast.
Spinello Spinelli was sprung of a noble family of Florentine exiles, and his graciousness of mind matched his gentle birth; for he was the most skilful painter of his time. He wrought many and great works at Florence; and the Pisans begged him to complete Giotto's wall-paintings in their Campo Santo, where the dead rest beneath roses in holy earth shipped from Jerusalem.
They saw the tomb of Bishop Spinelli and Giotto's Virgin, and then went into a hall gay with red flags with a white cross, on whose walls they could read the names of the Grand Masters of the Order of Malta. The majority of the names were French and Polish. Two or three were Spanish, and among them that of Caesar Borgia.
Many anxious thoughts alarmed her, and she even went so far as to fear some intrigue of the King of Hungary. Scarcely had her cortege arrived at Castle Arnaud, when the nobles, dividing into two ranks, let the queen pass with her counsellor Spinelli and two women; then closing up, they cut her off from the rest of her suite. After this, each in turn took up his station as guardian of the fortress.
And afterwards, in the year 1418, for Ricciardo di Messer Niccolò Spinelli, on the façade of the Convent of S. Croce facing the square, he painted a large scene in fresco of S. Thomas looking for the wound in the side of Jesus Christ, and beside him and round him all the other Apostles, who, kneeling reverently, are watching this event.
"I knew it, Dempsey," she said, as her eyes grew dull even in their tears. "I knew he was a Guinea. His name's Tony Spinelli. I hurried in when they told me you and him was scrappin'. Them Guineas always carries knives. But you don't understand, Dempsey. I never had a fellow in my life.
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