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Let us see, a little, how things have gone; and how the right moment has been advancing in late months. JANUARY 17th, 1744, There landed at Antibes on French soil a young gentleman, by name "Conte di Spinelli," direct from Genoa, from Rome; young gentleman seemingly of small importance, but intrinsically of considerable; who hastened off for Paris, and there disappeared.
A great sea-fight was expected; but our old Norris thought it late in the day; and, in effect, no fight proved needful. "M. le Comte de Saxe who had, by superhuman activity, saved nearly all his men, in that hideous topsy-turvy of the Transports and munitions returned straightway, and much more M. le Comte de Spinelli with him, to Paris.
Parri di Spinello Spinelli, painter of Arezzo, having learnt the first principles of art from his own father, was brought to Florence by the agency of Messer Leonardo Bruni of Arezzo, and was received by Lorenzo Ghiberti into his school, where many young men were learning under his discipline: and since the doors of S. Giovanni were then being given their finish, he was put to labour on those figures, in company with many others, as it has been said above.
To Simone is also attributed the interesting portrait of Guidoriccio Fogliani de' Ricci, on horseback, in the Sala del Consiglio. This, however, has been so much repainted as to have lost its character. In S. Francesco at Pisa. Spinello degli Spinelli was born of a Ghibelline family, exiled from Florence, who settled at Arezzo about 1308.
In 1467 Memling was a master painter at Bruges, and painted the portrait of the medallist, Nicolas Spinelli, which is now in the Royal Museum at Antwerp, and a small altar-piece now at Chatsworth. His most famous works, those in the Hospital at Bruges, belong to a somewhat later date, the Shrine of S. Ursula not being completed till 1489.
Spinello Spinelli was sprung of a noble family of Florentine exiles, and his graciousness of mind matched his gentle birth; for he was the most skilful painter of his time. He wrought many and great works at Florence; and the Pisans begged him to complete Giotto’s wall-paintings in their Campo Santo, where the dead rest beneath roses in holy earth shipped from Jerusalem.
Many anxious thoughts alarmed her, and she even went so far as to fear some intrigue of the King of Hungary. Scarcely had her cortege arrived at Castle Arnaud, when the nobles, dividing into two ranks, let the queen pass with her counsellor Spinelli and two women; then closing up, they cut her off from the rest of her suite. After this, each in turn took up his station as guardian of the fortress.
Death to the Hungarians!" he returned and told his sovereigns in what frame of mind he had left their subjects. Joan borrowed money wherever she could, armed galleys, and left Marseilles with her husband, her sister, and two faithful advisers, Acciajuoli and Spinelli, on the 10th of September 1348.
Capizuchi and Spinelli conducted forces from Italy: the marquis of Borgaut, a prince of the house of Austria, levied troops in Germany; the Walloon and Burgundian regiments were completed or augmented: the Spanish infantry was supplied with recruits and an army of thirty-four thousand men was assembled in the Netherlands, and kept in readiness to be transported into England.
Luca Spinelli having gone to dwell in Arezzo on one of the several occasions when the Ghibellines were driven out of Florence, there was born to him in that city a son, to whom he gave the name of Spinello, so much inclined by nature to be a painter, that almost without a master, while still a boy, he knew what many exercised under the discipline of the best masters do not know; and what is more, having had friendship with Jacopo di Casentino while he worked in Arezzo, and having learnt something from him, before he was twenty years of age he was by a long way a much better master, young as he was, than was Jacopo himself, already an old painter.
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