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Updated: June 19, 2025
Rosenthal every day, as soon as they arrived at the stage, sent back their mules for the Europeans to ride; and some time afterwards, on Mr. Staiger making a gala dress for his Majesty, the hand-chains of all five were taken away.
He was dressed with a scrupulous niceness, and carried a long light overcoat on his arm. "Julia!" he said sombrely, coming forward, his eyes only for her. "Why, hello, Mark!" Julia answered. And with a little concern creeping into her manner she went on, "Why, what is it?" Young Rosenthal glanced at her friends, and, formally offering her his arm, said seriously: "You will walk with me?"
Dalton sauntered away from the door and began an inspection of the room. The box on the chair came first. He lifted the lid and drew out the mantilla. "Rather good, this wonder how she got hold of it Oh, yes, I see, she must be repairing it. There are her work-basket and the spools of black silk." He turned to the box again and read the name of "Rosenthal" stencilled on the bottom.
"That his passage playing rarely sounded clean and pure like that of a Rosenthal was due not only to his musical predilections, but to his hand formation as well. His hand was broad and rather thick-set, and tremendously muscular. It would not bend back at the knuckles; and the fingers also had no well-defined knuckle movement.
I will go to Rosenthal, and then I will find your old nurse, and I will try to have your case delayed until your nurse can get hold of her brother. But that is really all I can do until I have your entire confidence. I am convinced that you are a woman who has been well brought up, and that this is your first experience in a place of this kind.
Contrasted with a type of this kind may be mentioned such men as Sauer, Rachmaninov, d'Albert, Paderewski, Godowsky, Bachaus, Rosenthal, Pauer, Joseffy, Stojowski, Scharwenka, Gabrilowitsch, Hofmann, Bauer, Lhévinne, to say nothing of the ladies, Bloomfield-Zeisler, Carreño, Goodson, et al., many of whom are intellectual giants.
The first few they stumbled on were already occupied, a fact that the darkness prevented them from realising until they almost sat down on the occupants. At last in a retired corner of the garden Rosenthal found a bench in a recess in the wall. As they seated themselves he blurted out roughly: "I'm sick of all this, Vi. When do you mean to give me your answer?
On July 17,1912, I stood beside the body of Herman Rosenthal, the gambler, as it lay in the coffin in the parlor of his house in the Tenderloin. My newspaper had sent me to "cover" the funeral, and I managed, because of some previous knowledge of the household, and by giving the impression of a mourner, to gain access. The murderers had not yet been caught.
He did all that he could to avoid friction and make things run smoothly. Rosenthal was a Regular officer and a typical Hun, who was sent round the various camps to make things generally uncomfortable for the inmates, in which capacity he was a great success. He made promises but very rarely fulfilled any, smiling to your face and at the same time arranging to have you punished.
Edgar S. Kelly holds a potent brief for the original orchestration, contending that it suits the character of the piano part. Rosenthal puts this belief into practice by playing the older version of the E minor with the first long tutti curtailed. But he is not consistent, for he uses the Tausig octaves at the close of the rondo.
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