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There is a more wonderful inventor than any rhapsodist, and that inventor is called reality. It wears the magic ring, and imagination is but a poor magician compared with it. Madame, do not write to Mademoiselle de Chateaudun. Since you have not done so my letters must necessarily have miscarried. Blessed be the happy chance which prevented you from following my advice! What did I say to you?

I forbear to tell what he was going to do to that Bedouin that owned it. It makes my blood run cold to think of it. Another was going to scalp such Bedouins as fell to his share, and take his bald-headed sons of the desert home with him alive for trophies. But the wild-eyed pilgrim rhapsodist was silent. His orbs gleamed with a deadly light, but his lips moved not.

He might have been a bucolic rhapsodist had not his sensibility been well under the control of as sound a head as you would expect to find on the shoulders of a gentleman of Gascony. His emotions are kept severely in their place by rigorous concentration on the art of painting.

Leaf reckons these lines "probably an interpolation to turn the linen chiton, the rending of which is the sign of triumph, into a bronze corslet." But we ask why, if an editor or rhapsodist went through the Iliad introducing corslets, he so often left them out, where the critics detect their absence because they are not mentioned?

The sensible is an impenetrable empire; but ideas are certitudes, and upon these he dwells with rapt and mystical enthusiasm, a great poetical rhapsodist, severe dialectician as he is, believing in truth and beauty and goodness.

"What signifies it," pursues this rhapsodist, "to women, that his reason disputes with them the empire, when his heart is devotedly theirs." It is not empire but equality, that they should contend for.

Break not in upon my speech, or I will lay thee neck and heels till this time to-morrow. Hearken to me, friends, nor heed that accursed rhapsodist. As I was saying, we have sacrificed all things, and have come to a land whereof the Old World hath scarcely heard, that we might make a new world unto ourselves and painfully seek a path from hence to heaven. But what think ye now?

We turn into another street; a rhapsodist is reciting there: men, women, children are thronging round him: the tears are running down their cheeks: their eyes are fixed: their very breath is still; for he is telling how Priam fell at the feet of Achilles, and kissed those hands, the terrible the murderous, which had slain so many of his sons.

TO Haggart, who babbled on the Castle Rock of Willie Wallace and was only nineteen when he danced without the music; to Simms, alias Gentleman Harry, who showed at Tyburn how a hero could die; to George Barrington, the incomparably witty and adroit to these a full meed of honour has been paid. But James Hardy Vaux, despite his eloquent bid for fame, has not found his rhapsodist.

The rhapsodist, at a feast of Dionysus in later times, has to introduce the god into his recitation. Why should any mortal have made this interpolation? Mr. Jevons's theory supplies the answer. The rhapsodist added the passages to suit the Dionysus feast, at which he was reciting. Perhaps the remark of Mr.