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Updated: June 4, 2025


Two of his frottole appear in the Petrucci collection, showing that he was acquainted with this Italian form, and that his productions in it were known and admired in Italy. His frottole are distinguished by uncommon grace and gaiety, for the frottola was generally rather passionate and melancholy, and full of what Castiglione called "flebile dolcezza."

On January 27, Pandolfo Petrucci being still in Siena, and Cesare's patience exhausted, he issued an ultimatum from his camp at Sartiano in which he declared that if, within twenty-four hours, Petrucci had not been expelled from the city, he would loose his soldiers upon Siena to devastate the territory, and would treat every inhabitant "as a Pandolfo and an enemy."

So Vitellozzo convoked at Maggione all whose lives or lands were threatened by this new reversal of Caesar's policy. These were Paolo Orsino, Gian Paolo Baglioni, Hermes Bentivoglio, representing his father Gian, Antonio di Venafro, the envoy of Pandolfo Petrucci, Olivertoxo da Fermo, and the Duke of Urbino: the first six had everything to lose, and the last had already lost everything.

Pandolfo Petrucci, Prince of Siena, ruled his state more by those who had been distrusted than by others.

In short, the private parlour of an elderly and respectable Diva of the year '40. "Brigida!" cried Madame Petrucci, going to the door. "Brigida! our charming English friend is arrived!" "All right!" answered a strong hearty voice from upstairs. "I'm coming." "You must excuse me, dear Miss Hamelyn," went on Madame Petrucci.

Order being restored, Lorenzo was led by a strong bodyguard to the Palazzo Medici, where he appeared at a window to convince the momentarily increasing crowd that he was still living. Meanwhile things were going not much more satisfactorily for the Pazzi at the Palazzo Vecchio, where, according to the plan, the gonfalonier, Cesare Petrucci, was to be either killed or secured. The Archbishop Salviati, who was to effect this, managed his interview so clumsily that Petrucci suspected something, those being suspicious times, and, instead of submitting to capture, himself turned the key on his visitors. The Pazzi faction in the city, meanwhile, hoping that all had gone well in the Palazzo Vecchio, as well as in the cathedral (as they thought), were running through the streets calling "Viva la Libert

When, about eight o'clock, the door-bell rang, Goneril blushed, Madame Petrucci gave a pretty little shriek, Miss Prunty jumped up and rang for the coffee. A moment afterwards the signorino entered. While he was greeting her hostesses, Goneril cast a rapid glance at him. He was tall for an Italian; rather bent and rather grey; fifty at least, therefore very old.

Great exertions were naturally made by the British government to redeem those unfortunate persons from captivity; and this was happily effected as to all the prisoners, except a few who could not be traced, by the assistance of Signor Petrucci, the Swedish consul at Alexandria.

She spoke with a languid foreign accent, and with an emphatic and bountiful use of adjectives, that gave to our severer generation an impression of insincerity. Yet it was said with truth that Giulia Petrucci had never forgotten a friend nor an enemy. "Goneril is outside," said Miss Hamelyn. "How is Miss Prunty?" "Brigida? Oh, you must come inside and see my invaluable Brigida.

"His good blade has rid us of the arch-heretic," and the mob took up the shout. Gaspard was cool now. His fury had become a cold thing like a glacier. "I know him!" he whispered to Champernoun. "He is the Italian Petrucci. He is our first quarry." "The second will be that damned friar," was the Englishman's answer.

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