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Perhaps his favorite among the poets was Coventry Patmore. After returning to New York Father Hecker, besides supervising the editorial work of The Catholic World, wrote an occasional article for its pages. The more important of these, twelve in number, with the Exposition as a leader, were published in a volume already mentioned, The Church and the Age.

Patrick:* Cassell's National Library 0 0 6 MATTHEW ARNOLD, *Poems:* Golden Treasury Series 0 2 6 MATTHEW ARNOLD, *Essays:* Everyman's Library 0 1 0 Coventry Patmore, *Poems:* Muses' Library 0 1 0 Sydney Dobell, *Poems:* Canterbury Poets 0 1 0 Eric Mackay, *Love-letters of a Violinist:* Canterbury Poets 0 1 0 T. E. Brown, *Poems* 0 7 6 C. S. Calverley, *Verses and Translations* 0 1 6 D. G. ROSSETTI, *Poetical Works* 0 3 6 Christina Rossetti, *Selected Poems:* Golden Treasury Series 0 2 6 James Thomson, *City of Dreadful Night* 0 3 6 Jean Ingelow, *Poems:* Red Letter Library 0 1 6 William Morris, *The Earthly Paradise* 0 6 0 William Morris, *Early Romances:* Everyman's Library 0 1 0 Augusta Webster, *Selected Poems* 0 4 6 W. E. Henley, *Poetical Works* 0 6 0 Francis Thompson, *Selected Poems* 0 5 0 £5 7 0

"I stooped to do so," said the patient; "then I thought of the pleasure the sight of it had given me so I left it, hoping that someone else would discover it and enjoy its beauty as I did." Thus it was that a woman, while still insane, unconsciously exhibited perhaps finer feeling than did Ruskin, Tennyson, and Patmore on an occasion the occurrence of which is vouched for by Mr. Julian Hawthorne.

But when a man is so thoroughly in love with his metaphor as Patmore was, he is tempted at times to press it in every detail, and to forget that it is "but one acre in the infinite field of spiritual suggestion;" that, less full and perfect metaphors of the same reality, may supply some of its defects and correct some of its redundancies.

The statue of Wellington, at the Piccadilly corner of the Park, has a stately and imposing effect, seen from far distances, in approaching either through the Green Park, or from the Oxford Street corner of Hyde Park. January 3d, 1858. On Thursday we had the pleasure of a call from Mr. Coventry Patmore, to whom Dr.

But surely he was not a bird to be caught with so small a grain of salt as that! He had not as yet seen Mr. Patmore Green, having escaped from London at once. He had answered a note from Olivia, which had called him "dearest Charlie" by a counter note, in which he had called her "dear O," and had signed himself "ever yours, G," promising to meet her up the river.

Patmore that I thought his popularity in America would be greater than at home, and he said that it was already so; and he appeared to estimate highly his American fame, and also our general gift of quicker and more subtle recognition of genius than the English public. . . . We mutually gratified each other by expressing high admiration of one another's works, and Mr.

The order of inflection that is not infraction has been explained in a most authoritative sentence of criticism of literature, a sentence that should save the world the trouble of some of its futile, violent, and weak experiments: "Law, the rectitude of humanity," says Mr Coventry Patmore, "should be the poet's only subject, as, from time immemorial, it has been the subject of true art, though many a true artist has done the Muse's will and knew it not.

Let us see him in that company where he looks noble amongst the noble; let us not look upon him in the company of the ignoble, where he looks ignobler still, being servile to them; let us look upon him with the lyrical Shakespeare, with Vaughan, Blake, Wordsworth, Patmore, Meredith; not with Baudelaire and Gautier; with the poets of the forest and the sun, and not with those of the alcove.

A contemporary of Daudet's, who possessed a far finer spiritual insight, Coventry Patmore, the poet, in the essay on "Ancient and Modern Ideas of Purity" in his beautiful book, Religio Poetæ, had already finely protested against that "disease of impurity" which comes of "our modern undivine silences" for which Daudet pleaded.