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Updated: May 6, 2025
I say nozzing more!" GREGORIO, By Percy Hemingway The Cafe Paradiso was full of people, for the inhabitants of Alexandria had dined, and the opera season was over. The seats at every table were occupied, and the fumes of smoke from a hundred cigars partly hid the ladies of the orchestra.
Inghilfredi Siciliano: "Gesù Cristo ideolla in paradiso E poi la fece angelo incarnando Gioia aggio preso di giglio novello E vago, che sormonta ogni ricchezza Sua dottrina m' affrezza Cosi mi coglie e olezza Come pantera le bestie selvagge."
Next is the comfortable Balbi Valier, with a motor launch called "The Rose of Devon" moored to its posts, and a pleasant garden where the Palazzo Paradiso once stood; and then the great and splendid Contarini del Zaffo, or Manzoni, with its good ironwork and medallions and a charming loggia at the side. Robert Browning tried to buy this palace for his son.
Mark, and saw how noble could be, at their best, his composition and drawing, and how marvellous his coloring of sky, architecture, costume, and flesh. They went to the various churches, notably, Santa Maria del Orto, to see good examples of his religious painting; and to the Ducal Palace for his many mythological pictures, and his immense Paradiso.
The passage "enough of the world ... in unmixed delight" is on a slip pasted over the middle of the page. Some of the obscured text is visible in the margin, heavily scored out. Also in the margin is "Canto IV Vers Ult," referring to the quotation from Dante's Paradiso. This quotation, with the preceding passage beginning "in whose eyes," appears in Mathilda only.
The cry of the thousand splendours which Dante, in the fifth canto of the 'Paradiso, tells us he saw gliding toward them in the planet Mercury, was Ecco chi crescera li nostri amori! Lo, here comes one who will increase our loves! All the light is ours. God is all ours. Even that in God which we cannot understand is ours.
He was then a very old man, and on his way back to Rome he died at Faenza. This famous saint has often been confused with the third great Ravennese of this time, Pietro degli Onesti, called Pietro Il Peccatore This confusion, which Dante disposes of in the well-known passage of the Paradiso: "In quel loco fui 10, Pier Damiano, e Pietro Peccator fu nella casa Di nostra Donna in sul lito Adriano,"
Shall we ever again let years pass without writing? Happiness is a monotonous theme, and that is, perhaps, the reason why, to souls who love, Dante appears even greater in the Paradiso than in the Inferno. I am not Dante; I am only your friend, and I don't want to bore you.
The merit of this discovery belongs to Francesco Zicari, whose paper, 'Sulla scoverta dell' originale italiano da cui Milton trasse il suo poema del paradiso perduto, is printed on pages 245 to 276 in the 1845 volume of the Naples 'Album scientifico- artistico-letterario' now lying before me.
"It was called Il Paradiso" adds the chronicler to whom we owe these details, "because Maestro Leonardo Vinci, the Florentine, had with great art and ingenuity fabricated a paradise or celestial sphere, in which the seven planets were represented by actors in costumes similar to those described by those poets of old, who each in turn spoke the praise of Duchess Isabella."
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