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Such natural children with really original remarks and untrained ideas; not artificial Peter Pans who wistfully didn't want to grow up; not slavish little mimics of the Children's stories in vogue, pretending to play at Red Indians when every one knew that Red Indians nowadays dressed like all the other citizens of the United States and Canada and sat in Congress and cultivated political "pulls" or sold patent medicines; or who said "Good hunting" and other Mowgli shibboleths to mystified relations from the mid-nineteenth century country towns; nor children who teased the cat or interfered with the cook or stole jam or did anything else that was obsolete; or decried Sullivan's music in favour of Debussy's or of Scarlatini's 17th century tiraliras; or wore spectacles and had to have their front teeth in gold clamps.
He was the most venerable of the labourers on the farm a tall, solid man, still unbent, with grey side-whiskers and a steep, dignified profile. Grave, weighty in his manner, splendidly respectable, Rowley had the air of a great English statesman of the mid-nineteenth century.
Some of the most distinguished of Carlyle's contemporaries, the great men of letters of the mid-nineteenth century, have left letters more or less copious and more or less valuable from one or both of the two sides, biographical and literary, but not eminently so. Macaulay's letters and diaries suit biography excellently, and have been excellently used in his. They lighten and sweeten the rather boisterous "cocksureness" of the published writings: and help his few but very remarkable poems other than the Lays (which are excellent but in a different kind) to show the soul and heart of the man as apart from his mere intellect. But they are not perhaps intrinsically very capital. So also in Dickens's case the "Life-and-Letters" system is excellently justified, but one does not know that the letters in themselves would always deserve a first class in this particular school of Literae Humaniores. Letter-writing admits if it may not even require a certain kind of egotism. But it must be what the French call an Egoisme
I was opposed both by the foolish radicals who desired to break up all big business, with the impossible ideal of returning to mid-nineteenth century industrial conditions; and also by the great privileged interests themselves, who used these ordinarily but sometimes not entirely well-meaning "stool pigeon progressives" to further their own cause.
It is always possible that a man might speak his thought, but it is glaringly impossible that he should speak it so as to be heard by the audience and not heard by others on the stage. In French light comedy and farce of the mid-nineteenth century, the aside is abused beyond even the license of fantasy.
For the greater part of his political life he was nominally a Conservative, yet the rank and file of his party only half trusted a mind trained by John Stuart Mill and perpetually brooding on social reform. As Lord Stanley, his close association and personal friendship with Disraeli during the Ministries and politics of the mid-nineteenth century have been well brought out in Mr.
If they favour it, it will survive; when they do not, it will vanish as the mists of the morning before the sun. Neglecting a few exceptional older corporations which, indeed, in their essence are not usurious, but of unlimited liability, the shareholding body appeared first, in its present character, in the seventeenth century, and came to its full development in the mid-nineteenth.
The mid-nineteenth century had something of the same hot-bed characteristic, though sufficiently contrasted and fitted to produce a different growth. It had, if at a little distance, the inspiriting memory of a great war, where the country had taken the most glorious part possible. It also had a great religious revival, which had taken no coarse or vulgar form.
The sleeping-room of the Empress Eugenie is fitted up after the style of the early Empire with certain interpolations of the mid-nineteenth century. The most distinct feature here is the battery of linen coffers which Marie Louise had had especially designed and built.
Where plays had been constructed on a journeyman plan evolved by Labiche and Sardou mid-nineteenth century writers in France a plan delighting in symmetry, close-jointedness, false correspondences, an impossible use of coincidence, and a quite unreal complexity and elaboration, they become bolder and less artificial, more close to the likelihoods of real life.
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