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Updated: June 17, 2025


"You have won the wager, but not quite," he said, with a malignant smile. The mazurka began. Grushnitski chose no one but the Princess, other cavaliers chose her every minute: obviously a conspiracy against me all the better! She wants to talk to me, they are preventing her she will want to twice as much. I squeezed her hand once or twice; the second time she drew it away without saying a word.

As we were playing the Harebell mazurka I again caught sight of her stealthy white figure in that distant doorway. Seizing the cloak, she wrapped it round her, and with just one furtive look backwards, seen, I warrant, by no one but myself, she vanished in the outside dark. 'Now to note who follows her! But nobody followed her.

Madame so-and-so said: "Please, play this pretty nocturne dedicated to Mdlle. Stirling." The nocturne which I called the dangerous one. He smiled, and played the fatal nocturne. "I," said another lady, "should like to hear once played by you this mazurka, so sad and so charming." He smiled again, and played the delicious mazurka.

Chopin was much pleased when I told him that in the construction of this Mazurka the passage from E major to F major was the same as that in the Agatha aria in 'Freischutz." De Lenz refers to the opening Bach-like mutations. The texture of this dance is closer and finer spun than any we have encountered. Perhaps spontaneity is impaired, mais que voulez vous?

"What is to be done with such a girl?" said Madame. "Well, run away and dance. See," she added on perceiving myself, "here is a cavalier ready waiting for you." Sonetchka gave me her hand, and we darted off to the salon, The wine, added to Sonetchka's presence and gaiety, had at once made me forget all about the unfortunate end of the mazurka.

He still continued an unabated whistling, and as nobody would dance, pulled off his coat, produced a pair of castanets, and whistling a mazurka, performed it with tremendous agility.

The carnival rod hopped about among the flowers on its three red stilted feet, and stamped quite loud when it danced the Mazurka; the flowers could not perform this dance, they were too light to stamp in that manner.

Not unlike, in its sturdy affirmation, the one in C sharp minor, op. 41, is the next Mazurka, in A minor, op. 59. That Chopin did not repeat himself is an artistic miracle. A subtle turn takes us off the familiar road to some strange glade, wherein the flowers are rare in scent and odor.

Gotthard being the publisher of the alleged Chopin Mazurka, declared he bought the manuscript from a Polish countess- -possibly one of the fifty in whose arms Chopin died and that the lady parted with Chopin's autograph because of her dire poverty. It is, of course, a clear case of forgery.

She did not wait until her husband had got down, but, walking straight into the cloak-room, took off her things, gave a peep into the dingy glass, and was dancing the mazurka with Mr. Schmielke when Mr. Tiralla entered the ballroom. He at once looked out for a seat for himself. Let her dance, he liked her to do so.

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