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Updated: June 11, 2025
There is, for example, the church of San Giobbe, the doors of which we haunted with more patience than that of the titulary saint: now the sacristan was out; now the church was shut up for repairs; now it was Holy Week and the pictures were veiled; we had to leave Venice at last without a sight of San Giobbe's three Saints by Bordone, and Madonna by Bellini, which, unseen, outvalue all the other Saints and Madonnas that we looked at; and I am sure that life can never become so aimless, but we shall still have the desire of some day going to see the church of San Giobbe.
Her long fair hair, a beauty seen so rarely in Italy, that Raffaelle, believing it divine, has appropriated it to all his Madonnas, curtained a lovely forehead, and fell in flowing locks over her shoulders.
The next house was full of madonnas and maids worshipping the latest arrival in the station, a chubby boy of six months. The father had retired to a quiet corner, but seeing another mere man, he came out with certain alacrity and suggested a peg and cheroot.
In this century Andrea Tan, Guido da Siena, and other devoted souls were involved in the final struggles of Mediaeval Art, and at its close Cimabue and Duccio da Siena the two masters whose Madonnas were borne in solemn procession through the streets of Florence and Siena, mid music and the pealing of bells had given the new impulse to painting which brought them immortal fame.
Savonarola's eloquence could not make him serene, however much he may have come beneath its spell. It but served to increase his melancholy. Hence these wistful despondent Madonnas, all so conscious of the tragedy before their Child; hence these troubled angels and shadowed saints.
The ideal of the Umbrian school was tenderness and sweetness, the outward and visible rapture of pietistic feeling; something of these qualities Raphael expressed in his Madonnas throughout his career. Under the teaching of Perugino he laid hold on the principles of "space composition" which he was afterwards to carry to supreme perfection.
His scholarship and his skill he turned to his own uses; and when we have traced the sources of his motives and the influences in the moulding of his manner, there emerges out of the fusion a creative new force, which is his genius. What remains after our analysis is the essential Raphael. Raphael's residence in Florence is the period of his Madonnas.
They had all vanished now; a cheerful coat of paint and golden-tinted paper-hangings lighted up the small apartment; while the shadow of a willow-tree that swept against the overhanging eaves atempered the cheery western sunshine. In place of the grim prints there was the sweet and lovely head of one of Raphael's Madonnas, and two pleasant little pictures of the Lake of Como.
The legends of his own land make him the pupil of Giunta; for the men of Florence are reluctant to believe that he was instructed in painting by those Greek artists who were called in to embellish their city with miracles and Madonnas.
He never found the realization of that happiness of which he had once dreamed with her, though he won the glory of which perhaps he had never thought. Like the Madonnas of Luini whose looks are so full of earnest tenderness, this young girl was sweet and beautiful. She lived on calm, but sad.
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