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Without precisely calling Titian to account in set terms, his biographers Crowe and Cavalcaselle, and above all M. Georges Lafenestre in La Vie et L'Oeuvre du Titien, have relentlessly raked up Aretino's past before he came together with the Cadorine, and as pitilessly laid bare that organised system of professional sycophancy, adulation, scurrilous libel, and blackmail, which was the foundation and the backbone of his life of outward pomp and luxurious ease at Venice.
La Terre, then, the most unmentionable story of them all, has jumped since 1893 to the end of 1911 from 100,000 to 215,000, whereas L'Oeuvre moved only from 55,000 to 71,000 in fourteen years. But a Vulgarian can understand La Terre while L'Oeuvre would be absolutely undecipherable to him. Zola always knew his market; even knew it after Dreyfus had intervened.
Beethoven wrote the sovereigns of Russia, France, Prussia and Saxony, proposing a subscription of fifty ducats, about $115 each, for the Mass. The first acceptance came from Prussia. One of the minor officials in Vienna was commissioned by Prince von Hatzfeld, the Prussian Ambassador, to ask Beethoven if he would not prefer a royal order instead of the fifty ducats. Beethoven's reply was characteristic. Without a moment's hesitation he said with emphasis, "fifty ducats!" showing the slight value he placed on distinctions of this kind. A reply that must have gratified him very much was that received from the King of France. In his letter to him, Beethoven refers to the Mass as "L'oeuvre le plus accompli." Louis XVIII, not only forwarded his acceptance (and the fifty ducats), but had also a gold medal struck off, containing his portrait on one side, and on the other, the following inscription: "Donné par le Roi
Speaking of the jewels lent to Charles by the royal families of Savoy and Montferrat at Turin, de Comines exclaims: 'Et pouvez voir quel commencement de guerre c'estoit, si Dieu n'eut guidé l'oeuvre. The Borgia meanwhile crouched within the Castle of S. Angelo. How would the Conqueror, now styled Flagellum Dei, deal with the abomination of desolation seated in the holy place of Christendom?
He is an artist who lives in Provence, away from the world; he is supposed to have served as model for the Impressionist painter Claude Lantier, described by Zola in his celebrated novel "L'Oeuvre." Cézanne has painted landscapes, rustic scenes and still-life pictures. His figures are clumsy and brutal and inharmonious in colour, but his landscapes have the merit of a robust simplicity of vision.
Beauty is infinitely various, always equally beautiful, and can never be repeated. Gautier, in a famous poem, has wisely praised the artist who works in durable material: Oui, l'oeuvre sort plus gelle D'une forme au travail Rebelle, Vers, marbre, onyx, émail. No, not more beautiful; only more lasting. Tout passe. L'art robuste Seul
It seems well established to-day, however, that Chambord was the work neither of Primaticcio, of Vignola, nor of Il Rosso, all of whom have left some trace of their sojourn in France; but of an obscure yet very complete genius, Pierre Nepveu, known as Pierre Trinqueau, who is designated in the papers which preserve in some degree the history of the origin of the edifice, as the maistre de l'oeuvre de maçonnerie.
"'Une tristesse implacable, une effroyable fatalité pèse sui l'oeuvre de l'artiste. Cela ressemble
Nana, in Voltaire, brought 20,000 francs; Pot-Bouille, in Gaulois, 30,000 francs; Bonheur des Dames, La Joie de Vivre, Germinal, L'Oeuvre, La Terre, in Gil Blas, each 20,000 francs; L'Argent, in the same journal, 30,000 francs; Le Rêve, in the Revue Illustrée, 25,000 francs; La Bête Humaine, in Vie Populaire, 25,000 francs; La Débâcle, in the same, 30,000 francs, and Docteur Pascal in Revue Hebdomadaire, 35,000 francs.
And so there was a continual struggle, in which the Congregation did all it could to favour the missionaries of Italy and her allies. It had always been jealous of its French rival, "L'Oeuvre de la Propagation de la Foi," installed at Lyons, which is as wealthy in money as itself, and richer in men of energy and courage.
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