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Updated: May 19, 2025
Till then I must have patience, and need not give you any further explanations. I talked some time ago with the Princess of Prussia about you. The performance of "Tannhauser" at Kroll's is variously commented upon. I am still of opinion that the personal influence and ability of Schoneck are in this matter decisive.
The beautiful alleys were filled with carriages, riders, and pedestrians; pretty coffee-houses enlivened the woody portions, and merry children gambolled on the green lawns. I felt so much reminded of my beloved Prater, that I expected every moment to see a well-known face, or receive a friendly greeting. Kroll's Casino, sometimes called the Winter-garden, is built on this side of the park.
Wirsing wrote to me about Lohengrin, but I, on my part, wrote to Raymund Hartel asking him to take the matter in hand and to communicate to Wirsing my conditio sine qua non. You perceive that, on the strength of your friendly promise, I have freely taken to sinning. I hear that at Berlin the scheme of "Tannhauser" at Kroll's is to be taken seriously in hand in September or October.
Such an undertaking depends largely upon the manner of execution. For the present I am of opinion that we ought to be in no hurry about giving our consent; a concert performance of "Tannhauser" at Kroll's establishment has much against it, and might probably interfere with the stage performance which must of necessity follow. Leave the whole matter to me.
April 13th, 1853 Bravo, Schoneck! Long live Kroll's theatre! Those people have rational ideas, and work bravely. The fact that you are friendly with Schoneck, and can count upon his goodwill and musical intelligence, gives a favourable turn to the performance of "Tannhauser" at Kroll's theatre, and I, for my part, do not advise you against it, the less so as you seem to like it.
On this side, the coffee-house Odeon is the best, but cannot be compared to Kroll's casino. Here also are rows of very elegant country-houses, most of which are built in the Italian style. This place is about half an hour's distance from the Brandenburg-gate, where the omnibuses that depart every minute are stationed.
Your citing Mirabeau as marchand de draps is quite applicable to "Tannhauser" at Kroll's theatre; and if Schoneck manages to fill the parts moderately well, the thing will, no doubt, hugely amuse you. Simultaneously with this I write, by your desire, to Schoneck to compliment him on the impending performances. I have advised him to go to work prudently, as the whole matter is in his hands.
You have probably heard that the manager of the Berlin court opera has procured an order which prevents the smaller theatres of Berlin, and especially Kroll's theatre, from performing such operas as "Tannhauser." From this we see how powerfully even a threat acts upon these people; they are of course ashamed of themselves, and do not wish to incur open disgrace.
Turning my thoughts backward, it seems to me as if almost too much beauty and pleasure were crowded together at Christmas, richly provided with presents as we were besides, for over and above the Christmas fair there was Kroll's Christmas exhibition, where clever heads and skilful hands transformed a series of great halls, at one time into the domain of winter, at another into the kingdom of the fairies.
Fiske plays the scene in a tea-gown of elaborate elegance, in which she might with propriety have received the Archbishop of Canterbury, Kroll's studied apologies for intruding upon her before she has had time to dress, and the whole suggestion of undue intimacy between Rebecca and Rosmer, which Ibsen meant to convey, is irrevocably lost.
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