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Updated: May 23, 2025


"It is an eternal shame," said Frederick, "that the spirit which created the art of the old Greeks cannot be united with that profound German spirit, an entirely new spirit, which characterises the works of Adam Krafft, Veit Stoss, and Peter Vischer." "Doctor von Kammacher," Miss Burns asked, "have you ever done any work in sculpture?" Miss Burns spoke a correct German.

But as Krafft drew out his case to take another cigarette, a tattered volume of Reclam's UNIVERSAL LIBRARY fell from his pocket, and spread itself on the floor. Madeleine stooped and pieced it together. "What have we here? ah, your Bible!" she said sarcastically: it was a novel by a modern Danish poet, who died young. "You carry it about with you, I see."

The more rapidly she got rid of what remained to her, the better it would be for every one, and particularly for Maurice Guest. Had Maurice been in doubt as to Madeleine's meaning, it would have been removed within a few minutes of his leaving the house. As he turned a corner of the Gewandhaus, he came face to face with Krafft.

Ah! if he, the despised humpback, could but descend to posterity immortalized by the labor of his hands. What to the dreaming lad was the picture of Adam Krafft dying in a hospital, poor, unfriended, and alone, in the midst of a city his genius had enriched? What was it to him that Nuremberg, which now heaped honors on the dead, had denied bread to the living?

But Maurice recalled an errand he had to do in town; and, on hearing this, Krafft, who was lolling aimlessly, declared that he would accompany him. "But you've only just come!" expostulated Madeleine. "What in the name of goodness did you climb the stairs for?" He patted her cheek, without replying. The young men went away together, Maurice puffing somewhat ostentatiously at a cigarette.

The PICCOLO, summoned by a general shout, was bade to dispose of the garbage instantly, and to hang the coat in a draughty place to air. Various epithets were hurled at Krafft, who, however, sat picking his teeth with unconcern, as if what went on around him had nothing to do with him. They were now all collected but Schilsky, and much beer had been drunk.

Of course, if you assure me it was not true, that's a different thing." He turned so sharply that he sent a beautiful flush over Krafft's face. "Come, give me your word, Heirtz, and things will be straight again." But Krafft merely shrugged his shoulders, and his colour subsided as rapidly as it had risen.

It transpired that there was an ode to be sung before the last section of the composition, and a debate ensued who, should sing it. The two ladies in the front had quite a little quarrel without knowing anything about the song as to which of their voices would best suit it. Schilsky was silent for a moment, tapping his fingers, then said suddenly: "Come on, Heinz," and looked at Krafft.

There's not been a moment in the day when she hasn't spied on me, and followed me, and made me ridiculous. Over every trifle she has got up a fresh scene. She's even gone so far as to come to my room and search my pockets, when she knew I wasn't at home." "Yes, yes," sneered Krafft. "Exactly! And so, gentlemen he was now for slinking off without a word to her." "Oh, PFUI!" spat the American.

and two symphonies, called The Island of Tranquillity and The Dream of Scipio, in which, more intimately than in any other of the works of Jean-Christophe Krafft, is realized the union of the most beautiful of the forces of the music of his time: the affectionate and wise thought of Germany with all its shadowy windings, the clear passionate melody of Italy, and the quick mind of France, rich in subtle rhythms and variegated harmonies.

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