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Have I? Now, madam, have you any other sting to wound me with? My object is gained. LEONORA, CALCAGNO entering. CALCAGNO. Did not the Countess Imperiali depart in anger? You, too, so excited, madam? This is unheard-of cruelty. CALCAGNO. Heaven and earth! Do I behold you in tears? LEONORA. Thou art a friend of my inhuman Away, leave my sight! CALCAGNO. Whom do you call inhuman? You affright me
Hitherto I have moved the vast machine alone; shall I now, at the very goal, be put to shame by the greatest rascal under the sun? Here's my hand upon it, fellow whate'er the Count remains indebted to thee, the Duke shall pay. MOOR. And here, too, is a note from the Countess Imperiali.
But for what purpose are these papers? MOOR. To remove one plague by another. These powders the signora gave me, to mix one every day with your wife's chocolate. Gave thee? MOOR. Donna Julia, Countess Imperiali. If thou liest, rascal, I'll hang thee up alive in irons at the weathercock of the Lorenzo tower, where the wind shall whirl thee nine times round with every blast. The powders?
"Et quidem peregrina, nomine Zenobia, de qua jam multa dicta sunt, quae se de Cleopatrarum. Ptolemaeorumque gente jactaret, post Odenatum maritum imperiali sagulo perfuso per humeros habitu, donis ornata, diademate etiam accepto, nomine filiorum Herenniani et Timolai diutius quam faemineus sexus patiebatur, imperavit.
He was rapid and bold in design, yet was selected by Boschini as a model of correctness; hence his drawings, though numerous, are highly esteemed. His Rape of the Sabines, in the Palazzo Imperiali at Terralba, near Genoa, has been highly extolled.
On February 28, 1917, the Isvestia published the following text of this agreement: "The Italian Ambassador in London, Marchese Imperiali, acting on the instructions of his Government, has the honour to convey to the Minister for Foreign Affairs, Sir Edward Grey, the French Ambassador in London, M. Cambon, and the Russian Ambassador in London, Count Benckendorff, the following notable points: §1.
Means were forthcoming to enable the art-student to quit Edinburgh in 1736 for Rome. He remained there during three years, receiving instruction from Francesco Solimena, called also l'Abate Ciccio, and one Imperiali, an artist of less fame. Of both it may be said, however, that they did little enough to stay the downfall of Italian art.
I understand the King of France is upon consulting his divines upon the old question, what the power of the Pope is? and do intend to make war against him, unless he do right him for the wrong his Embassador received; and banish the Cardinall Imperiall, by which I understand is not meant the Cardinall belonging or chosen by the Emperor, but the name of his family is Imperiali.
And many sneered. Most men condemned you. All bewailed the state which thus had lost you. A Jesuit pretended to have smelt out the fox that lay disguised in sheep's clothing. FIESCO. One fox smells out another. What say they to my passion for the Countess Imperiali? MOOR. What I would rather be excused from repeating. FIESCO. Out with it the bolder the more welcome. What are their murmurings?
De Legatione Babylonica, Parisiis, 1532, contains also the first three Decades. Mazzuchelli mentions an edition of the eight Decades published in Paris in 1536. De Orbe Novo Petri Martyris ab Angleria, mediolanensis protonotarii Cæsaris senatoris Decades. Cum privilegio imperiali. Compluti apud Michælem d'Eguia, anno MDXXX, in fol.
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