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Updated: June 14, 2025
Miss Medwin was, like Bertha, a book illustrator, and had brought work to show her friend. Warburton glanced at the drawings with a decent show of interest. Presently he inquired after Mrs. Cross, and learnt that she was out of town for a week or so; at once his countenance brightened, and so shamelessly that Bertha had to look aside, lest her disposition to laugh should be observed.
He roused enough to answer the question: "Dore Gustave Dore an artist? Why, the name sounds familiar! Oh, yes, an illustrator. Ah, now I understand; but there is a difference between an artist and an illustrator, you know, my boy. Dore yes, I knew him he had bats in his belfry!" And Mr.
Chase: "What did Abbey have to say last night? Anything worth while?" When Dan Smith was at the beginning of his career as an illustrator he was employed by an important lithographing house. One day, while making a large picture of Antony and Cleopatra in the barge scene, which was to be used by Kyrle Bellew and Mrs.
Pupil of W. J. Linton and Timothy Cole. Miss Powell was an illustrator of the Century Magazine from 1880 to 1895. The engraving after "The Resurrection" by John La Farge, in the Church of St. Thomas, New York, is the work of this artist. She also illustrated "Engravings on Wood," by William M. Laffan, in which book her work is commended. Miss Powell is now employed by Messrs.
At last, when neither her father nor her mother returned and she could bear her own thoughts no longer, she brought drawing materials down from the studio and spread them out on the dining room table. She had decided she would never marry any one never. How could she! But she would study in earnest and be an illustrator.
Chetwynd Harrison-Gore and his daughter, English folk "doing" America and delighted to include a Carolina colonial house in their trip; a suffrage leader, whose throat needed a rest; and Morenas, the illustrator. It seemed that Hynds House offered to each one something that had been craved for.
It was in these that Archie spent most of his time, and it was here that he made the acquaintance of J. B. Wheeler, the popular illustrator. To Mr. Wheeler, over a friendly lunch, Archie had been confiding some of his ambitions to qualify as the hero of one of the Get-on-or-get-out-young-man-step-lively-books. "You want a job?" said Mr. Wheeler. "I want a job," said Archie. Mr.
He is before all things a poetical painter, blending the charm of story and sentiment, the medium of the art of poetry, with the charm of line and colour, the medium of abstract painting. So he becomes the illustrator of Dante.
Naturally there was nothing for the illustrator to do but to welcome her visitor. She took him into the garden, where he saw at once that he was seated under the apple-tree of Miss Greenaway's pictures. It was in full bloom, a veritable picture of spring loveliness. Bok's love for nature pleased the artist and when he recognized the cat that sauntered up, he could see that he was making head-way.
As an illustrator he became thoroughly successful, turning out a large amount of work and gaining for himself in Stockholm the very inappropriate name of "the Swedish Doré."
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