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Updated: June 15, 2025


They were three, Seely-Hardwicke himself, who owned a million or more, and to my knowledge drank Hollands and smoked threepenny Returns in his Louis Quinze library; Mrs. Seely-Hardwicke, as beautiful as the moon and clever to sinfulness; and Billy, their child, aged seven-and-a-half. To-day their whereabouts would be as difficult to find as that of the boy in Mrs. Hemans's ballad.

Here are the hands of industry! the germs of liberty! the dear pledges of order! and the sacred beginnings of a home!" Of such, only, could Mrs. Hemans's inspired hymn have been written: "There were men with hoary hair Amidst that pilgrim band; Why had they come to wither there, Away from their childhood's land?

If you do, can you bear new designs from Martin, enamelled into copper or silver plate by Heath, accompanied with verses from Mrs. Hemans's pen? Oh, how unlike his own! "Wouldst thou divert thyself from melancholy? Wouldst thou be pleasant, yet be far from folly? Wouldst thou read riddles and their explanation? Or else be drowned in thy contemplation?

Tennyson has a different theory of the Pleiads: "Many a night I saw the Pleiads, rising through the mellow shade, Glitter like a swarm of fire-flies tangled in a silver braid." Locksley Hall. Byron alludes to the lost Pleiad: "Like the lost Pleiad seen no more below." See also Mrs. Hemans's verses on the same subject.

Hemans's "Landing of the Pilgrim Fathers;" Cowper's "My Mother's Picture;" Jones's "What Constitutes a State;" Scott's "Lochinvar;" Halleck's "Marco Bozzaris;" Drake's "American Flag;" and Mrs. Thrale's "Three Warnings." The extracts from orations were chosen largely for their relation to great events in history.

When her aunt fell asleep, Lucina looked up, with that quick, startled sense of loneliness which sometimes, in such case, comes to a sensitive consciousness. "Aunt Camilla is asleep," she thought; she turned to her book again. It was a copy of Mrs. Hemans's poems. Somehow the vivid sentiment of the lines failed to please her, though she, like her young lady friends, had heretofore loved them well.

"It's 'bout a boy," she added confidentially to Mrs. Peyton, "whose father wouldn't never, never stay with him on a burnin' ship, though he said, 'Stay, father, stay, ever so much." With this clear, lucid, and perfectly satisfactory explanation of Mrs. Hemans's "Casabianca," Clarence began.

Many of my readers will remember her description of the garden and the view from it, the terrace, the circular grass-plot with its one tall white rose-tree. "You cannot imagine," she wrote, in 1830, "how I delight in that fair, solitary, neglected-looking tree." The tree is not neglected now. Dovenest is inhabited by Mrs. Hemans's then young friend, the Rev.

At that instant the words of Mrs. Hemans's song came full in Sophy's mind "Ye know not what ye do, That call the slumberer back From the realms unseen by you, To life's dim weary track." But this life's track would be to the bereaved father something more than dim and weary, hereafter. "Papa," said she softly. He did not stir. "Papa!" she exclaimed, somewhat louder. He started up, half awake.

"Do you know, in all this blessed place, I can't find a copy of Mrs. Hemans's poems; and I wanted you to read 'The Arab to his Horse' is that the title? at my school-treat to-morrow. They would all understand that. Well, we must get something else; for we're to make a show of being educational and instructive before the romping begins.

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