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Muller and Schultze and Fischer and Kruger, the small shop-keepers and others of their ilk, and their friends thought? Even forty years later Friedrich Hebbel, in 1844, paid a visit to the Industrial Exposition in Paris. He writes in his diary: "Alle diese Dinge sind mir nicht allein gleichgültig; sic sind mir widerwärtig."
At last they appeared Christophe had chosen from the better of his works an overture to the Judith of Hebbel, the savage energy of which had attracted him, in his reaction against German atony, although he was beginning to lose his taste for it, knowing intuitively the unnaturalness of such assumption of genius, always and at all costs.
That such a great dramatist as Hebbel was also a scion of this stock seems almost exceptional. The stubborn peasant family-stocks, the urban culture of the Hanseatic cities, and the scattered seats of the nobility, even as far east as the Russian Baltic provinces, bear witness to the development of a uniform temperament in spite of all the differences of social environment.
I did not find any expression in the poet's personality of the eccentric force which threatens to explode in the figures of his dramas. When I heard, some years later, that Hebbel had died of softening of the bones, I understood why he had affected me so unpleasantly.
I prepared myself for meeting Hebbel by taking considerable trouble to read his dramatic pieces beforehand, doing my best to think that they were good and that a closer acquaintance with the author was desirable.
The dramas given included fifteen by Schiller, ten by Shakespeare, three by Goethe, three by Lessing, five by Molière, four by Hans Sachs, four by Sheridan, eleven by Grillparzer, two each by Kleist and Hebbel, and several by Ibsen, while the operas included three by Beethoven, three by Cherubini, six by Mozart, three by Weber, and several by Wagner.
He was distracted by the sight of Hassler with his plate under his chin, like a child, gorging pieces of bread and butter and slices of ham which he held in his fingers. However, he did succeed in saying that he composed, that he had had an overture in the Judith of Hebbel performed. Hassler listened absently. "Was?" Christophe repeated the title. "Ach! So, so!" That was all.
From the time when I definitely refused to humour her ambitions she took no more notice of me. The poet Hebbel must be mentioned among the special acquaintances I made in Vienna during this difficult epoch. As it seemed not unlikely that I should have to make Vienna the scene of my labours for some time, I thought it desirable to become better acquainted with the literary celebrities living there.
And better a thousand dissolved and broken false marriages than one true marriage prevented or one untrue one with the semblance of sincerity and sacredness upheld. But Christ is yet in distress and anguish. He is yet in the throes of birth, in the pains of growth. Our world is as my brother Hebbel said: a wound of God. But as I add: a healing wound; therefore not less painful.
He talked about the theatrical world in Vienna with the air of an amateur who feels himself neglected but continues to work in a businesslike fashion. I felt no particular desire to repeat my visit, especially after his return call in my absence, when he left a card announcing himself as 'Hebbel, chevalier de plusieurs ordres!
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